In Pictures: Arresting protest art from 1970s US student activists
- Text by Adam White
- Photography by American Flag [Untitled], 1970. Courtesy Shapero Modern.
Berkeley University in California has long been associated with student activism. Starting with the free-speech protests and the beginnings of the counterculture movement in the 1960’s, to the week-long rallies against police violence in 2014, and everything in between.
The posters stem from demonstrations against a wave of militant conservatism in the early 1970’s. Not only the 1970 massacre of four unarmed students at Kent State University by members of the National Guard, but also the continued Vietnam War and President Nixon’s decision to reinstate the military draft.
The posters themselves are the work of the university’s Political Poster Workshop, a campus collective of art, design and politics students. In the wake of the Kent State killings, the group immediately launched a production line of silk-screening and cardboard printing for protest, with the 50 posters on display the last remaining relics of their demonstrations.
Barry Miles, curator of the exhibit, says that the posters are “a frozen snapshot of American graphic design at the end of the sixties, as well as a unique sociological record of a society in crisis.”
Find out more about America in Revolt: The Art of Protest, at Shapero Modern until February 27.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen






