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Josh Slater-Williams

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Art & Culture  >  Film

Filmmaker Rose Glass on making this year’s best horror

Saint Maud

The British writer-director’s unforgettable debut is finally in UK cinemas. To mark its release, she explains how she made an empathetic genre movie.

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Art & Culture  >  Film

How Robert Eggers made this year’s strangest film

To The Lighthouse

The New Hampshire filmmaker’s second feature is a psychological two-hander about warring lighthouse keepers. He says it won’t be for everybody.

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Art & Culture  >  Film

Noah Jupe and Lucas Hedges on acting as therapy

Honey boys

The two actors play versions of Shia LaBeouf at different stages of his life, in a film that he wrote in rehab. To mark its UK release, they tell us about their own relationships with stardom.

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Art & Culture  >  Film

The Sundance breakout taking on gentrification

Tales of the city

Ahead of its UK release, the team behind The Last Black Man In San Francisco explain how they made this year’s indie breakout – a story about friendship, solitude and displacement.

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Art & Culture  >  Music

‘As a woman, I felt uncomfortable with my libido’

Lola Kirke in conversation

The musician and actor takes a break from shows to talk self-promotion, sexual frustration and why she thinks acting is a ‘dying art form.’

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Art & Culture  >  Film

Filmmaker Lulu Wang talks laughing through the tears

The Farewell

The writer-director’s tragicomic drama begins with words ‘Based on an actual lie’. Ahead of the film’s US release, she discusses adapting one real-life fib into one of 2019’s most buzzed-about films.

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Art & Culture  >  Film

Ray & Liz: an exploration of family life in Thatcher’s Britain

On the breadline

In his new film, photographer turned writer-director Richard Billingham presents a tale of deprivation and loneliness in the West Midlands.

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Art & Culture  >  Film

The strange story of Orson Welles’ final years

They’ll Love Me When I’m Dead

A documentary looks back on the decade leading up to Welles’ death, following him as he struggles to complete the film intended as his magnum opus.

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