An unflinching portrait of the women’s liberation movement
American photographer Donna Ferrato is a force of nature, determined and unafraid to call out the injustice against women, break down taboos, and celebrate femininity in its many forms. In her new book Holy (powerHouse Books), Ferrato takes us on a journey in the fight for women’s liberation over the past half-century.
In the book, which is organised into sections honouring the Mother, the Daughter, and the Other, Ferrato reclaims the sacred while taking shots at the patriarchy – a position she adopted as a young girl. Ferrato remembers the confusion, frustration, and anger she felt taking catechism class in Catholic school. The Holy Trinity confounded her. “It didn’t make any sense that there was a Father, a Son, and a Holy Ghost,” she says.
Faced with erasure, Ferrato challenged authority, asking questions no one would or could explain. “It seems like mankind is too satisfied with getting some fairytale to explain the great mysteries in life. But I don’t want to accept any of that, and I want to give credit where credit is due. This is what Holy is about.”
Ferrrato began working on the book in 2017, in response to the rage she felt following the Presidential election. “Every woman knew what was going to happen with Trump in there but we didn’t know how to challenge it and we just had to watch as he systematically ripped our power away,” she says.
Channelling her anger, Ferrato delved into her archive, revisiting the stories she has fearlessly told, screaming from the rooftops when the doors of power were closed. It’s a stance she has maintained since the start of her career.
Ferrato arrived in New York City in 1979, and began documenting the nightclub culture before AIDS, when sex clubs were at their peak. She became close with a wealthy couple only to witness the husband assault his wife. It was at that moment that she understood documentation is a sacred act.
Driven to expose the hidden world of domestic violence, which later became the landmark 1991 Aperture book Living with the Enemy, Ferrato brought her photographs to magazine editors who refused to publish the work. “So many of the magazine editors I showed it to, they were so scared,” she says. “Their bodies would tremble looking at that picture, but they wouldn’t publish it. They were afraid of what would happen if it was in their magazine.”
But Ferrato remained undeterred. Her mission was greater than status or wealth; she sought to use the camera as a tool in the fight for women’s liberation. Possessed with an unflinching eye and a compassionate soul, Ferrato used photography to speak truth to power, addressing issues of rape, sexual assault, domestic violence, sex work, sexuality, gender identity, healthcare, abortion, childbirth, childcare, family, and community.
“I never wanted to be a popular photographer — never,” Ferrato says. “I didn’t want masses of people to follow me. I just wanted to be able to go around and really be with people who were going through tough things, and beautiful things too. I want women to stand up for each other.”
Holy is out now on powerHouse Books.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The sharp rise of video game photography
Point, shoot — As the entertainment medium’s fidelity levels increase and developers build more powerful tools, a growing community of gamers are pushing the boundaries of image making in virtual worlds. Vicky Jessop meets people at the forefront of the emerging artform.
Joyous photos from the heart of the UK’s radical free festival movement
Common Grounds — The photographer has been capturing British counterculture for the past half century. A new exhibition looks at his archive sitting at the intersection of music, community and grassroots protest.
The lasting community legacy of a legendary Californian boxing gym
Moretón — Since opening in the ’80s, the Coachella Valley Boxing Club has trained multiple world champions, while providing a vital hub for local youth. In his new photobook, Darren Vargas documents its tight-knit, Chicano-led community, while also weaving a deeply personal story.
Inside the grunge golden age with Hole’s former bassist
My ’90s Rock Photographs — Melissa Auf der Maur’s new photobook is a sprawling visual memoir of her time at the heart of the US scene, from Tinker to The Smashing Pumpkins.
Introducing ‘The Chaos Isles’, a new photozine by Huck and Yushy
Normal Island — From unlicensed raves to the solstice at Stonehenge, furries to giant vegetable growers, Yushy is one of the UK’s best lensmen of its wild side. ‘The Chaos Isles’ will be sent out exclusively to Club Huck+ members.
Join Club Huck+ to get the most from Huck
Dispatches from the sharp edge of culture — Members get our print magazine, special photozines, The Huck Long Read newsletter, discounts from our friends and partners, digital versions of back issues and priority access to events.