The secretive siblings creating beautiful, defaced artwork
- Text by Niall Flynn
Almost every picture created by Eddie and Charlie Proudfoot is an individual portrait with the face blanked out. They won’t say why.
In fact, there are a number of things that the artist siblings choose not to disclose. They won’t be drawn on their upbringing, nor the individual spells in foster care, psychiatric hospitals and prison that followed, either. There isn’t even a record of their age. So, when it comes to the absence of an explanation for the elaborately defaced figures that make up their art, it’s just a small part of a much larger silence that surrounds the two secretive brothers. Lucky, then, that the pictures speak for themselves.

Eddie and Charlie Proudfoot, Construction Brother

Eddie and Charlie Proudfoot, Butt Naked Blue
Through their work, Eddie and Charlie – who reside together in New York’s Lower East Side and claim to have been making art “some 40-something years” – have constructed a method of communication with the world outside of their apartment that doesn’t intrude on their self-enforced isolation. Using old magazines, newspapers and advertising boards (donated to them by fellow residents) as canvases, their pictures operate as a way of “getting their thoughts out.” It makes for a series of portraits that are as beautiful as they are arresting; as strangely optimistic as they are stark.
“One day, our neighbour saw me taking some old magazines from a dumpster next to our block and asked me what I was doing,” Eddie, the elder by two years, explains. “So I told her what me and Charlie do with them [and] she told me off for taking shit out of a dumpster and said she would ask the neighbours to save their magazines and stuff. So, most weeks we get a pile of papers and magazines and old books.”
“Sometimes it takes a couple of seconds to do a piece, but sometimes it takes hours. Every time we look at a piece we think about the person in the picture – we wonder what they do who they really are. We make up little stories about them, [they] make us laugh, and sometimes make us sad.”

Eddie and Charlie Proudfoot, Shooting Shaolin

Eddie and Charlie Proudfoot, Mixed up Model
Now, as part of a new exhibition dedicated to exploring mental health within art, the brothers’ work will show at London’s Zebra One Gallery alongside the likes of Salvador Dali, Francis Bacon and Andy Warhol, as well as a range of other contemporary artists. All of the pictures are credited to both Eddie and Charlie simultaneously; regardless of who contributes what to each respective work, they consider every picture a collaborative endeavour, as is the nature of their close-knit, protective relationship.
The show marks the first time that the Proudfoots’ work will be seen on such a scale, a prospect that leaves them, in their own words, both “scared and kinda excited”. However, either way, it doesn’t really matter what anyone else makes of it: they make art for themselves, each other, and don’t have any plans to change that. Their portraits help tell their own troubled – though, ultimately somewhat uplifting – story of unity, resolution and creative salvation. It’s theirs, and theirs alone.
“All these magazines and stuff, not everybody is pretty,” Eddie muses. “We should look past all that dressing and see the inside.”

Eddie and Charlie Proudfoot, Sad Boy

Eddie and Charlie Proudfoot, Fuck Trump

Eddie and Charlie Proudfoot, Peruvian Princess

Eddie and Charlie Proudfoot, The Girl and the Guy

Eddie and Charlie Proudfoot, War Stories
With Art In Mind will run at London’s Zebra One Gallery from November 17, 2017 until the end of the year.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
New exhibition highlights British radical living over 200 years
Earthly Paradise — Taking place at the William Morris Gallery, it explores the homes and lives of artists, writers, musicians and more, as well as the conditions that allowed them to thrive.
Written by: Isaac Muk
Kristina Rozhkova’s scatty, confronting portrait of captivity
Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.
Written by: Isaac Muk
Washing strangers’ feet at Houghton Festival
Pedilavium — As part of artist Henry Krokatsis’s performance piece at the weekender, we sat down with over 30 others to clean the dusty digits of passersby, while reflecting on the power of collective ritual and human connection.
Written by: Isaac Muk
The anti-tourism guides revealing Lisbon’s true, radical heart
We Hate Tourism Tours — The Portuguese capital sees millions of people visit a year, against a backdrop of political turbulence and a housing crisis fuelled by short term holiday lets. Jack Burke meets the crew subverting their city’s perception, while bringing lesser seen stories and monuments to light.
Written by: Jack Burke
The art of paying attention: How Austria’s Alps reward slowing down
Lebensgefühl — With a growing movement of art and music rooted in the area’s mountains, trees and waterfalls, the region is showcasing the importance of the human relationship to nature.
Written by: Sophie Lou Wilson
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen