Enigmatic photos of growing up in Buenos Aires
In 1999, Magnum Photos member Alessandra Sanguinetti, then 28, was working on a project about the relationship between people and animals on a farm in Buenos Aires, not far from where her cousins, Guille and Belinda were spending the summer.
After being diagnosed with a chronic condition, Sanguinetti gravitated towards her cousins, who were then nine, taking refuge in the world of childhood imagination in the countryside. Instinctively, Sanguinetti began capturing photographs and videos of the girls enjoying the creative escapades of youth.
“I’m sure it was no coincidence that nine was my favourite age and my favourite place to be was in the country. I’ve always had a yearning to go back,” says Sanguinetti, who lived in Argentina from the age of two to 32.
Although she did not begin taking these photographs with a project planned, one eventually started to develop. The result is a mesmerising glimpse into the experiences that shaped the girls’ lives as they came of age.
“In Argentina, the countryside has this mythological figures and heroes and they are the gauchos – the equivalent to the cowboys – and they have all these special clothes they wear to parties and celebrations,” Sanguinetti says.
“Women don’t have any kind of special clothing, except if they reenact historical figures… I remember when I would photograph Guille and Belinda at rodeos, I felt a kind of satisfaction to be zeroing on them when everything was about the men.”
Recognising the need for more complex, layered stories of young girls lives, Sanguinetti published The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams (Nazarelli Press) in 2010 to critical acclaim. A decade later she returns with the companion volume, The Adventures of Guille and Belinda and The Illusion of an Everlasting Summer (MACK), which documents Guille and Belinda’s transition from adolescents to young women, eventually becoming mothers themselves.
“I had the privilege of being very close and also being able to step away and look at them from afar, which I don’t have with my own daughter. I know them intimately, but at the same time I can see patterns and connect the dots,” Sanguinetti says. She says that the project is ongoing and something she hopes to continue throughout Guille and Belinda’s lives.
“With the videos and conversations I recorded, I started to see how the things they said that they were afraid of, or fantasised about, became realised later on. Or, how they couldn’t escape certain things in their personality or upbringing.”
“A lot of self-prophecies were coming through,” Sanguinetti reflects. “You don’t get the chance to do that unless you take a lot of time.”
The Adventures of Guille and Belinda and The Illusion of an Everlasting Summer is out now on MACK Books.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
What went down at Huck’s 20th birthday party
84 issues and counting — We took over east London’s Jaguar Shoes with friends old and new to celebrate two decades and our new issue, with Tony Bontana taking the decks for a special set.
Photos of friends, lovers and afters in Berlin’s party scene
Dreams and How to Keep Them – Vincent Wechselberger’s new monograph documents a decade of hedonism in the German capital, and the people he met along the way.
Inside the Los Angeles scene kid revival
The Rawring ’20s — For the cover of Huck 84, photographer Alexis Gross and writer Anna Zanes meet the latest faces of scene, who are finding freedom to express themselves through its technicolour, unafraid aesthetic.
Introducing our new issue of Huck Magazine: It Starts With Us
Huck 84 — For our second 20th anniversary issue, we spotlight 20 people and groups providing the world with a hopeful future.
The sharp rise of video game photography
Point, shoot — As the entertainment medium’s fidelity levels increase and developers build more powerful tools, a growing community of gamers are pushing the boundaries of image making in virtual worlds. Vicky Jessop meets people at the forefront of the emerging artform.
Joyous photos from the heart of the UK’s radical free festival movement
Common Grounds — The photographer has been capturing British counterculture for the past half century. A new exhibition looks at his archive sitting at the intersection of music, community and grassroots protest.