The Bali farmer rejecting tourism money to protect sacred lands
- Text by Atina Dimitrova
- Photography by Marko Randelovic
The moral values of a Balinese farmer, is turns out, outweighs the temptation of $40,000.
That’s how much developers offered 64-year-old Made Anggir for his rice paddies – a strip of land with enormous potential for an already thriving tourism industry.
For Made, however, those paddies are a symbol of his family values, origins and upbringing.
There’s a temple by the nearby river, for instance, which his family has used to collect holy water for generations. Now the same investor has blocked all access to it.
And although $40,000 is an incredible amount of money in Bali, Made held firm in his convictions. There was no way he’d sell.
This story of resilience is captured in Sawah, a short documentary by photojournalist and filmmaker Marko Randelovic, who wanted to see how tourism affects everyday life in Bali.
“Made’s thoughts are echoed by others but unfortunately many are still willing to give up their land – and often they’re in desperate need of cash, so you can’t blame them,” says Randelovic.
Randelovic, a nomadic traveller who frequently works with charities and social movements, was drawn to the story when he learned of the #BaliNotForSale campaign on a visit to the country.

That’s how he learned about Sawah Bali, a charity helping farmers like Made make a good return on his organic crops by helping him sell them to eco-friendly restaurants.
“I was surprised by the lack of action by the government to stop investors from building on sacred sites and what seems a poor policy on helping organic farmers,” says Randelovic, who hopes his exploration of the topic will initiate a wider conversation.

“It’s such a pressing issue here in Bali at the moment, but it was incredibly worth it after we saw the reception the film got and our ability to reach English speakers across the world,” he says.
“From the feedback it also seems like many other people across the world, for example in South America, could relate to the same problem of tourism encroaching on lands.”
Check out Marko Randelovic’s portfolio or find out more about Sawah Bali.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A tender portrait of life and ritual from Mexico City’s streets
Órale — For the last six years of his life, photographer, collector and designer Michel Hurst documented death rituals, street life and religious pageantry in contemporary Mexico. A new monograph showcases his work.
Written by: Roxana Diba
In photos: Washington DC’s Black communities facing up to gentrification
A Language We Share — A new exhibition featuring the work of Beverly Price and Gordon Parks preserves historically Black neighbourhoods in the USA, before development and economic forces made them disappear.
Written by: Miss Rosen
A portrait of the UK’s oldest boxing club
Learning the Ropes — A new documentary by Ryan Pickard chronicles the hard-edged history of Repton Boxing Club in Bethnal Green, while asking poignant questions about the present and future of the sport in the UK.
Written by: Sydney Lobe
New film spotlights London’s Bubble Club, the party by people with learning disabilities
Radically inclusive clubbing — Produced by Muddled Marauders and currently fundraising for completion, the feature documentary focuses on the inclusive night, which has been in operation since 2005.
Written by: Roxana Diba
The London passport picture studio that became an unexpected repository of 20th century stars
Passport Photo Service — From Mick and Bianca Jagger to Muhammad Ali and Poly Styrene, the unassuming Oxford Street store was frequented by hundreds of musicians, actors, artists and more over its 70 years of operation.
Written by: Miss Rosen
Sophie Green’s maximalist, technicolour vision of Britain’s fringes
Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.
Written by: Roxana Diba