Pussy Riot release ‘Refugees In’ music video shot at Banksy's Dismaland
- Text by Alex King
“Bombing people out of homes, we want peace not fucking drones,” Pussy Riot scream in ‘Refugees In’.
The Putin-taunting punks shot their new music video at Banksy’s Dismaland, around the band’s live performance there in September 2015.
Directed by Ralf Schmerberg, who cut his teeth filming riots, it was shot at the ‘bemusement park’ in Weston-super-Mare, before it was torn down and re-erected as shelters for migrants at the notorious Jungle camp in Calais. After premiering at London’s Hang-Up Gallery, alongside a new show from migrant activist artists the Connor Brothers, it’s now online.
Speaking to Noisey, Pussy Riot’s Nadya Tolokonnikova argued it’s even more important to protect refugees in the wake of the Paris attacks:
“ISIS will win if the hate against refugees in the hearts of Europeans defeats the mercy to despaired people fleeing their destroyed houses in panic,” she said. “Their Syrian and Iraqi houses occupied by the assailants. ISIS will win if Europe rejects the value of multiculturalism being terrified by the threats of extreme right politicians, closes its borders and tumbles back to the previous century, the era of nationalism.”
She believes in the power of music and art to create change, and the rousing chorus to ‘Refugees In’ is a powerful call to action for Europe: “Cage me in and cage me out. Refugees in and Nazis out. Governments here should feel the shame, fucking liars you are to blame.”
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Grainy, yearning memories of Europe’s ’90s free rave heyday
Never Alone — A new photobook from Cheyenne Clementi and Valentina Morandi presents pictures they made over seven years while touring the continent as part of the Tekno Mobil Squad soundsystem crew. It archives parties, people and a lifestyle largely consigned to the past.
Written by: Isaac Muk
As Hanoi’s nightlife faces raids & repression, its underground scene modulates
Spaces Between the Beats — Tensions between nightlife and authorities have grown in recent times, as police target venues and their patrons with increasingly frequent drug testing and searches. With clubs becoming hostile spaces as a result, Hanoi’s electronic music community is finding new spaces and forms of expression, reports Martin Guttridge-Hewitt.
Written by: Martin Guttridge-Hewitt
American Football: The One With The Feelings
Many moons — The Midwest emo architects transformed a college experiment into a coming-of-age soundtrack. 25 years on, their latest iteration sees them bottle the same magic for the ups and downs of middle life.
Written by: Tracy Kawalik
Joe James: “I will never be absent in my children’s lives because I know it doesn’t feel nice”
Hard Feelings — As the silky MC prepares to release his debut album ‘The Ends Never Ends’, he joins our column on fatherhood and masculinity to discuss leaving his childhood home at 16, the manosphere and his risk-embracing approach to life.
Written by: Robert Kazandjian
Analogue Appreciation: mary in the junkyard
Role Model Hermit — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s art rock fabulists mary in the junkyard.
Written by: mary in the junkyard
Kibo’s compendium of Kwengletarianism
Kwengletaria:Ragamyff — As UK rap’s latest prodigious MC announces his most ambitious project to date, Rob Kazandjian spends time with Kibo in a north London pub to chat about his rise, as well as the inspirations and ideologies underpinning his music.
Written by: Robert Kazandjian
