Pussy Riot release ‘Refugees In’ music video shot at Banksy's Dismaland
- Text by Alex King
“Bombing people out of homes, we want peace not fucking drones,” Pussy Riot scream in ‘Refugees In’.
The Putin-taunting punks shot their new music video at Banksy’s Dismaland, around the band’s live performance there in September 2015.
Directed by Ralf Schmerberg, who cut his teeth filming riots, it was shot at the ‘bemusement park’ in Weston-super-Mare, before it was torn down and re-erected as shelters for migrants at the notorious Jungle camp in Calais. After premiering at London’s Hang-Up Gallery, alongside a new show from migrant activist artists the Connor Brothers, it’s now online.
Speaking to Noisey, Pussy Riot’s Nadya Tolokonnikova argued it’s even more important to protect refugees in the wake of the Paris attacks:
“ISIS will win if the hate against refugees in the hearts of Europeans defeats the mercy to despaired people fleeing their destroyed houses in panic,” she said. “Their Syrian and Iraqi houses occupied by the assailants. ISIS will win if Europe rejects the value of multiculturalism being terrified by the threats of extreme right politicians, closes its borders and tumbles back to the previous century, the era of nationalism.”
She believes in the power of music and art to create change, and the rousing chorus to ‘Refugees In’ is a powerful call to action for Europe: “Cage me in and cage me out. Refugees in and Nazis out. Governments here should feel the shame, fucking liars you are to blame.”
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
The rise of anywhere and everywhere radio
Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.
Written by: Bella Koopman