How rock is shaping the new Mongolia
- Text by Alex King
- Photography by Lauren Knapp
“Mongolia is like a toddler just learning to walk. And we’re walking into a new era,” explains Enerelt, bassist in the Ulaanbaatar-based rock band Mohanik.
After centuries as one of the most isolated places on earth, rock music played a key role in Mongolia’s transition from Soviet satellite to an independent, open, democratic nation. For the first generation born since democracy took hold in 1990, rock music is once again key to forging a new national identity in an ever-more globalised world.
Bands like Mohanik — the focus of Lauren Knapp’s fascinating documentary Live From UB — are at the forefront of this search for a new cultural identity and a truly Mongolian sound, fit for today’s world.
“At some point [cultural evolution] is inevitable, whether it’s good or it’s bad – it’s something that happens no matter what,” Lauren explains. “What I liked about the Mohanik story is their response to globalisation is so positive and pretty proactive. Mohanik are really able to take ownership of their culture, of the way they think about art and music.”
Live From UB follows Mohanik through the process of recording their new album and their attempts to blend rock influences from outside with Mongolia’s unique nomadic cultural heritage and connection to the land. Mongolia remains one of the most sparsely populated places on earth and Mohanik were conscious of capturing a sense of the country’s epic geography on their new album. They recorded outside, at a remote monastery and integrated traditional methods of instrumentation such as overtone singing and horse-head fiddle-playing into their music.
“Jack Weatherford, a Genghis Khan scholar explained to me that taking different parts from culture around the world is nothing new for Mongolia,” Lauren says. “Since the 12th-13th Century, they’ve been taking bits and pieces and adapting them into their own culture – and it totally works. Taking something from another place doesn’t necessarily mean that you’re losing something. But there is a strong sense in Mongolia today that they have a unique culture and history but there’s a real possibility of losing that. So people today are recognising that and coming up with interesting and unique ways to maintain their heritage.”
It’s a challenge shared across the globe as the spread of Western culture challenges more traditional forms. But bands like Mohanik, who are open to change, are embracing the best aspects of both to create something original but authentically Mongolian.
“They love Queen, Bob Dylan and they love amazing musicians from all around the world but they’re also proud Mongolians who are very aware of their unique culture,” Lauren explains. “So it’s only natural for them to try to find a sound that’s going to bring all of that together because that’s who they are. I think that’s the story of globalisation for a lot of people: trying to hold on to the unique parts of your culture and your history but finding a way to take these other forces and make them your own. Then you can reach back out to the rest of the world with something special that you created.”
Live From UB will be making its UK Premiere on Wednesday 24 February at 18.45, as a part of Asia House Film Festival, which runs 22 February to 5 March at venues across London.
You might like
Kibo’s compendium of Kwengletarianism
Kwengletaria:Ragamyff — As UK rap’s latest prodigious MC announces his most ambitious project to date, Rob Kazandjian spends time with Kibo in a north London pub to chat about his rise, as well as the inspirations and ideologies underpinning his music.
Written by: Robert Kazandjian
Celebrating the art of making out on tour with Tove Lo
The Kiss Book — In the wake of the pandemic, photographer Kenny Laubbacher travelled around several countries with the Swedish pop star, capturing the joy and desire of kissing fans.
Written by: Zoe Whitfield
The dreamy, surfy sounds of Cactus for Breakfast
Vitamin B — The Berlin-based band blends eclectic lyrics and influences spanning The Ventures, King Gizzard & the Lizard Wizard and Fela Kuti into a swirl of garage psych. We caught up with them as they brought their jubilant live show to Huck’s showcase on the final night of SXSW London.
Written by: Roxana Diba
Huck’s SXSW gig was a sweat-soaked rager
Huck it's so hot — At Village Underground for SXSW London’s final night, Huck co-curated a bill featuring Honey I’m Home, Cactus For Breakfast, Master Peace and shame – here's what went down.
Written by: Ella Glossop
Analogue Appreciation: Balming Tiger
Gongbu — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s K-pop experimentalists Balming Tiger.
Written by: Balming Tiger
Horst Festival is a blueprint for a creative, collective future
Hymn — Highlighted by an engrossing performance directed by Fallon Mayanja, the 2026 edition was a showcase of ASIAT Park’s ever-evolving space as an incubator for art, music and creativity.
Written by: Isaac Muk