Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Down and out in east LA: vintage shots of Chicano life

Edge of society — In the 1970s, photographer Wynn Miller joined the Arizona Maravilla gang: a disenfranchised community stuck on the margins of society.

Born and raised in Los Angeles, Wynn Miller first visited the city’s Eastside in the 1970s, after an invitation from his brother-in-law to meet members of the Arizona Maravilla gang. “It was a foreign world to me; I was a surfer,” Miller remembers. “I didn’t know anything about the gangs.”

“I took a few pictures and when I got home I made a few prints in my own darkroom. I thought they were really cool so I decided to take a chance. I took pictures of their kids and that was my way into the gang life.”

Over the next year, Miller would spend his weekends in the area, creating a series of black and white environmental portraits. Recently on view in the exhibition On the Edge of Society, his photographs are an intimate look at the brotherhood in a disenfranchised community living on the margins of society.

“The guys were really close to one another,” Miller says. “It wasn’t something I had experienced. I had close friends, but not like this. Most didn’t have jobs. There were a lot of abandoned lots in the area and we would gather around a couple of cars.”

After his first few visits, a couple of members named Lyle and Squire took Miller under their wing and vouched for him: “Some of the guys got serious about harassing me. Fortunately, Squire and Lyle watched over me and got what I was trying to do.”

“When I first started, I got some pictures printed in the LA Weekly. The first night they were published, they drove around the Eastside and broke all the vending machines for the newspapers, and took all the papers.” 

Although the danger was ever-present, Miller says he was largely kept out of the mix: “They didn’t always want me around. They’d run out every now and then to do some mischief but they never let me go along with them.”

“I stopped going because one of the guys that I had gotten close to was shot and killed on a weekend when I wasn’t there. When I went back, they told me what had happened. I had an epiphany: ‘Okay I am done. I am not coming back here anymore’. I didn’t go back for 40 years.”

When Miller finally returned, the neighbourhood had changed so much that he no longer recognised it. “I asked around and nobody was willing to talk to me, but I had an old phone number for a guy named Ruben so I called him,” Miller recalls. “We met up and he said, ‘oh yeah, I remember you. You were scared the whole time you were there.’ He was right.”

“People always ask how I got these photographs. I worked my way in. I wasn’t the enemy. There were 50 gangs in East LA at that time, they had their hands full. I was just a scared guy from West LA.”

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


You might like

Huck 83: Life Is A Journey Issue

Princess Julia: “I always state my age as I can’t believe I’m still around”

First lady — As the latest Artist-In-Residence of Huck 83, the London nightlife legend speaks to Josh Jones and provides a few recommendations and words of wisdom.

Written by: Josh Jones

Culture

A luminous portrait of Black life over six decades

Shared Memories — As staff photographer for The New York Times, Chester Higgins captured Black culture and spiritual connection like no other. A new exhibition celebrates his life and impact.

Written by: Miss Rosen

Activism

An intimate window into New York’s ’70s lesbian scene

We Others — An exhibition at The Photographer’s Gallery combines Donna Gottschalk’s unearthed photographs of LGBTQ+ activists and friends, along with Hélène Gianneccini’s written histories.

Written by: Miss Rosen

Culture

A tender portrait of life and ritual from Mexico City’s streets

Órale — For the last six years of his life, photographer, collector and designer Michel Hurst documented death rituals, street life and religious pageantry in contemporary Mexico. A new monograph showcases his work. 

Written by: Roxana Diba

© Beverly Price
Culture

In photos: Washington DC’s Black communities facing up to gentrification

A Language We Share — A new exhibition featuring the work of Beverly Price and Gordon Parks preserves historically Black neighbourhoods in the USA, before development and economic forces made them disappear.

Written by: Miss Rosen

Activism

On the frontlines of Britain’s ’80s protest movements

Protest and Equality — Against a backdrop of Thatcherism, hospital closures and global conflict, photographer Sarah Saunders was a documentarian of the long decade’s effects on society, as well as the communities actively resisting it.

Written by: Miss Rosen

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.