A strange, lyrical look at street life in Mexico
- Text by Miss Rosen
- Photography by Harvey Stein
Harvey Stein first fell under the spell of Mexico as a teen coming of age in Pittsburgh, Pennsylvania. The American photographer dreamed of life south of the border, of a sun-drenched utopia where indigenous and colonial cultures mixed, where life and death met, and where public life on the streets was a photographer’s paradise.
Between 1993 and 2010, Stein made 14 trips to small towns and villages across the nation during key celebrations such as Day of the Dead, Semana Santa (Easter), and Independence Day, capturing the multifaceted glories of public life. In his new book Mexico: Between Life and Death (Kehrer), Stein takes us along on a journey we won’t soon forget.
“I have always feared death,” explains Stein. “I thought Mexico dealt with dying in a more sensible way than we did.”
Man in President Fox Mask and Sombrero, Etla, 2001
“Death is seen as a passage to another, more reasonable life. They revere the elderly; they don’t hide away their family in old age homes. They celebrate death and welcome their dead ancestors back into their lives. Mexicans often view death as a natural part of life and their rituals and myths all celebrate it.”
“Festivals, parades, and local events are a way into the culture and a way to photograph strangers without a lot of pushback. People are open, happy, and are mostly glad to see you – even with a camera. They are acting out, performing, having fun, but often are serious about playing the various roles that are dictated by their costumes and the meaning of the event.”
Woman and Child on Bus, Veracruz, 2007
This energy flows throughout the book, as we come upon a magnificent array of characters who are giving themselves over to the spirit of the day. “I have found festivals to be particularly soulful, religious, and serious,” Stein notes. “The silent procession in the city of Queretero during Semana Santa, stemming from the 14th century, is acutely mournful. The only thing heard is a persistent drumbeat. The sizeable audience is mostly silent and looking on with reverence.”
As Stein does not speak Spanish, his interactions with the people are purely body language, gesture, and expression. “Photography heightens my perceptions and awareness and I use the camera to meet people. I try to be close to subjects and have them know that I am photographing. I feel this makes me more aware and sensitive to the situations and people I see, and results in what I consider stronger and more meaningful images.”
In Mexico: Between Life and Death, Stein reconciles the paradoxes of Western thought by showing that duality is a false construct. Here, it is not the false binary of “life or death” but rather the inclusive, holistic understanding of the complementary nature of opposites. It is the inclusive “and” that removes conflict, and allows us new levels of perception.
Two Women Passing Each Other, San Miguel de Allende, 1993
Two Couples Dancing the Danzón, Mexico City, 2000
Two Men Wearing Sombreros, Atotonilco, 1997
Man Putting on Guadalupe Shirt, Mexico City, 2000
Woman Outside Window, San Miguel de Allende, 1995
Young Woman Holding Umbrella, Querètaro, 1999
Man and Long Shadow from Above, Taxco, 2009
Boy with Outstretched Arm and Pumpkin, Morelia, 1999
Boy with Effigy on Ground, San Miguel de Allende, 1999
Mexico: Between Life and Death is available now on Kehrer.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
Confronting America’s history of violence against student protest
Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality.
Written by: Miss Rosen
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
Defiant photos of New York’s ’80s & ’90s queer activists
Arresting Images — Dona Ann McAdams’ photographs document the AIDS crisis, lesbian organising and civil disobedience from one of the most fraught eras in American LGBTQ+ history. A sale of her archive takes place later this month.
Written by: Sydney Lobe
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk
