A look back at the incredible legacy of Arlene Gottfried
- Text by HUCK HQ
- Photography by Arlene Gottfried / Daniel Cooney Fine Art Gallery
Arlene Gottfried, the legendary American photographer famed for her street shots of New York’s under-represented communities, is being celebrated in a new exhibition at the city’s Daniel Cooney Fine Art Gallery.
The show, titled A Lifetime of Wandering, aims to pay tribute to Gottfried, who passed away at the age of 66 last August. It will include a varied selection of her black and white, colour and Polaroid photographs, all taken between the ’70s and ’90s.
A New York native, Gottfried grew up above a hardware store in Coney Island, before moving to Crown Heights at the age of nine. She became fascinated by the neighbourhood’s dominant Puerto Rican community, and – after being given an old camera by her father – began to take pictures in a bid to better understand the vibrant local culture. This eventually led to her taking a place at the Fashion Institute of Technology to study photography (where she was, at the time, the only woman in her class).
“My mother used to say ‘Arlene – don’t just wander!’” she told TIME magazine in 2011. “Then I started wandering, but I got a camera because it gave it a little more meaning… A life of wandering is really what it all it is.”
The photographer’s wanderings led her to shoot for The New York Times, Life, Newsweek and TIME. But it was her ability to empathise and identify with people from all walks of life that gave her an edge over her contemporaries, as well as her voracious curiosity to find out more about her hometown’s diverse communities.
“I think I wander around and I see things that just speak to me, in one way or another,” she added. “There are things that you try to say something about, or a moment you want to hold.”

Angel and Woman on Boardwalk in Brighton Beach, 1976

Guy With Radio, East 7th Street, 1977

Three Musicians, c. 1980’s

Couple, East Side Park, c. late 1970’s

Purim, c.1970’s

Men’s Room at Disco, 1978

Isabel Croft Jumping Rope, Brooklyn, 1972

Communion, c. early 1980’s

Rikers Island Olympics, 1987
Arlene Gottfried’s A Lifetime Of Wandering is on show at New York’s Daniel Cooney Gallery until April 28.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
The quiet, introspective delight of Finland’s car cruising scene
Pilluralli — In the country’s small towns and rural areas, young people meet up to drive and hang out with their friends. Jussi Puikkonen spent five years photographing its idiosyncratic pace.
Written by: Josh Jones
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu