British weddings, captured in their boozy, chaotic glory
- Text by Huck
- Photography by Ian Weldon
Ian Weldon first started photographing weddings as a way to make extra money to fund other projects. However, from the get-go, his approach was far from traditional.
Rejecting the methods usually favoured by ‘wedding photographers’ – family members and guests queued up, waiting to pose in different arranged combinations – Weldon employed a different tactic. Instead, he shot weddings as they actually were: warm, strange, chaotic affairs, where everyone – and everything – plays an important role.
That was seven years ago, and what began as a side project has evolved into his full-time focus. Now, I Am Not a Wedding Photographer, a new book co-published by RRB Photobooks and the Martin Parr Foundation – plus an accompanying exhibition hosted by the latter – details some of the photos he’s made throughout the years: from scenes depicting the frantic last-minute preparations, to the boozy antics after-hours.

“I think that the photographs I make – the ones that I’m actively seeking – are photographs most wedding photographers would dismiss as mistake,” Weldon says.
“Although they are made at weddings, none are really ‘wedding’ photographs. From a single handful of confetti being thrown into a bride’s face by her grandmother, to the aunties smoking at the side door to the venue, it’s evident that these are not traditional wedding photographs.”

Weldon refers to his approach as “photographic democracy”, where no one photograph is more important than the other. In his mind, a shot of the bride hugging her father carries equal weight to one of “a kid picking their nose”. Towing the line between being both “utterly serious” and “utterly ridiculous”, I Am Not a Wedding Photographer explores Weldon’s love of people – and the strange things that they do when they’re together.
“Even the most drunken of wedding guests show some restraint, mostly,” he says. “There have been the usual arguments, scuffles – a cake was kicked off a table once, and a car crashed into a courtyard water feature – but nothing of real note. It’s just people partying, and I like a good party.”

I Am Not a Wedding Photographer is available now from RRB Photobooks. An exhibition of the same name is showing at the Martin Parr Foundation is showing from 26 June – 10 August, 2019.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
The quiet, introspective delight of Finland’s car cruising scene
Pilluralli — In the country’s small towns and rural areas, young people meet up to drive and hang out with their friends. Jussi Puikkonen spent five years photographing its idiosyncratic pace.
Written by: Josh Jones