British weddings, captured in their boozy, chaotic glory | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

British weddings, captured in their boozy, chaotic glory

Just married — In his work, Ian Weldon exposes the endearing strangeness of weddings – documenting the odd little moments that most others miss.

Ian Weldon first started photographing weddings as a way to make extra money to fund other projects. However, from the get-go, his approach was far from traditional.

Rejecting the methods usually favoured by ‘wedding photographers’ – family members and guests queued up, waiting to pose in different arranged combinations – Weldon employed a different tactic. Instead, he shot weddings as they actually were: warm, strange, chaotic affairs, where everyone – and everything – plays an important role.

That was seven years ago, and what began as a side project has evolved into his full-time focus. Now, I Am Not a Wedding Photographer, a new book co-published by RRB Photobooks and the Martin Parr Foundation – plus an accompanying exhibition hosted by the latter – details some of the photos he’s made throughout the years: from scenes depicting the frantic last-minute preparations, to the boozy antics after-hours.


“I think that the photographs I make – the ones that I’m actively seeking – are photographs most wedding photographers would dismiss as mistake,” Weldon says.

“Although they are made at weddings, none are really ‘wedding’ photographs. From a single handful of confetti being thrown into a bride’s face by her grandmother, to the aunties smoking at the side door to the venue, it’s evident that these are not traditional wedding photographs.”


Weldon refers to his approach as “photographic democracy”, where no one photograph is more important than the other. In his mind, a shot of the bride hugging her father carries equal weight to one of “a kid picking their nose”. Towing the line between being both “utterly serious” and “utterly ridiculous”, I Am Not a Wedding Photographer explores Weldon’s love of people – and the strange things that they do when they’re together.

“Even the most drunken of wedding guests show some restraint, mostly,” he says. “There have been the usual arguments, scuffles – a cake was kicked off a table once, and a car crashed into a courtyard water feature – but nothing of real note. It’s just people partying, and I like a good party.” 


I Am Not a Wedding Photographer is available now from RRB Photobooks. An exhibition of the same name is showing at the Martin Parr Foundation is showing from 26 June – 10 August, 2019.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


You might like

Boys with bonfire
Tish Murtha © Ella Murtha
Activism

Tish Murtha’s searing documentation of broken Britain

Vandalism on a Grand Scale — Capturing youth unemployment and poverty in north-east England during the ’80s, the photographer never lived to see her work published. A new photobook by British Cultural Archive brings her eye-opening work to light.

Written by: Miss Rosen

Culture

Sepia splashed memories of Britain’s ’90s squatting and free party scene

Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.

Written by: Samuel White

© Newsha Tavakolian
Culture

A melancholic portrait of youth, rebellion and womanhood in Iran

And They Laughed At Me — Newsha Tavakolian has worked as a photographer all her adult life, as Iran underwent change, upheaval and conflict. Her new photobook explores the formative years of her eye and art amid generational strife, hope and disappointment.

Written by: Miss Rosen

Florida’s Adventure Coast Visitors Bureau
Culture

The real life mermaids of Florida’s Weeki Wachee Springs

Old Florida — A relic of pre-Disney tourism in the state, the show – which sees women perform athletic underwater tricks in a natural spring – has been running since 1947. Jack Burke attends, while reflecting on the fragility and fantasy of old America.

Written by: Jack Burke

Horishi / Tattoo Artist Horikazu. Asakusa, Tokyo, Japan. Oct. 29, 2024. Photograph by Cory Lum/ 2024
© Cory Lum
Culture

The intricate, clandestine art of Japan’s traditional tattoos

Irezumi — Having emerged during the Edo Period centuries ago, inking skin has long been associated the country’s working class, and particularly Yakuza. A new book by Manami Okazaki explores the history and deep meaning of the practice, as well as the horishi who dedicate their lives to the needle.

Written by: Isaac Muk

Culture

Road tripping across 1970s America

73 Trip West — In 1973, Larry Racioppo set out from Brooklyn to California, armed with a medium format camera. For the first time in over half a century, roadside photographs from his trip have been unearthed.

Written by: Miss Rosen

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.