Living off-the-grid on the Isle of Tanera Mòr
- Text by Niall Flynn
- Photography by Kevin Percival
In 2012, photographer Kevin Percival packed up and moved to the Isle of Tanera Mòr – a remote, other-worldly shelter based off Scotland’s northwest coast.
As a part of the island’s tiny, periodical population, he lived and working there seasonally (eight months on, four months off) for a total of two years, surrounded by breathtaking landscapes and never out-of-sight of the sea. At times, he was one of just five people staying on Tanera.
Since then, he has returned for “at least a few weeks every year” as part of an ongoing photo series that sees him documenting the off-grid, faraway existence of the island and the different people – much like himself – that visit and leave their unique mark on it.
“I grew up in rural Derbyshire and I think that’s probably the single biggest influence on the photography I do,” Percival explains.
“I’ve always felt quite passionate about rural issues – both the environmental and the socio-political. Scotland became a second home, it’s the most truly wild-feeling corner of the UK: like where I grew-up, times ten.”
Titled Tanera (Ar Dùthaich), the project – which is showing in an exhibition at London’s Hotel Elephant space – entangles portraiture with distinctive shots of the island’s shapes, forms and textures, all captured – à la Chris Killip, Paul Strand – in black and white.
Framed as a “portrait of a place”, the work operates as a window into life on Tanera. From the wry smile of a young fisher, to the rock formations that long predate him, Percival traces the past and present of a place unlike any other, joining them together as one.
“Making a project about the island drew me in, because it was such a tiny area – but so full of history.”
“You can really see it written into and onto the landscape. Peat cuttings, evidence of previous fires (wild and man-made), buildings, graves, and fields – all remain visible hundreds of years after the original creators pass on.”
Tanera (Ar Dùthaich) is showing from 1 – 31 March, 2017 at Hotel Elephant.
See more of Kevin Percival’s work on his official website.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Sophie Green’s maximalist, technicolour vision of Britain’s fringes
Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.
Written by: Roxana Diba
When the Chelsea Hotel was New York’s countercultural epicentre
Closed doors, open minds — Albert Scopin’s new photobook collects photographs that were once thought to be lost, documenting the city’s creative scene that gathered during the building’s 1969 to 1971 heyday.
Written by: Miss Rosen
Glasgow’s Calabash is the restaurant the African diaspora call home
Home Cooking — Having been open in the heart of the city for 15 years, the Kenyan rooted eatery has become a community staple for migrants and Scottish-born locals alike.
Written by: Lisa Maru
Andrea Modica’s 40 year long Italian Story
Storia — The Italian American photographer first ventured to her ancestral country in 1987, beginning a decades long exploration and documentation of it.
Written by: Miss Rosen
Exploring Bucovina, the last wild place in Europe
Noroc! — 70% of Romania’s northern provinces are covered in ancient woodland, with its people cultivating a close relationship with the land that stretches back millennia. Jack Burke forages, eats and drinks his way around the region.
Written by: Jack Burke
War & Pieces: The race to become the world’s fastest jigsaw puzzler
The Obsessives — The UK Jigsaw Puzzle Championships see contestants turn a cosy pastime into a high stakes battleground, as they race to complete 500-piece puzzles in as little time as possible. It’s as much a feat of athleticism as cognitive quickness, reports Ginnia Cheng.
Written by: Ginnia Cheng







