Shooting the Graffiti Trucks of Paris
- Text by Dr. Oli Mould
- Photography by Marc Vallée
The modern day metropolis is so often pictured as smooth, glossy, fluid, clean and mobile. In high-end time lapse films, airline magazine spreads and endless commercials, the city is pictured as a place where you can move friction-free. Of course, this smooth mobility is only achievable by those rich enough to be able to afford it. Urban infrastructures are elite spaces, and so like the static spaces of the neoliberal city, they attract subversive re-appropriation.
The pictures here highlight how artists have brought the creative activism of subversive graffiti into (or onto) these commercialised infrastructures of urban mobility. As trucks and vans move consumable goods of the elite urban economy around the city, they carry with them the viruses of activism. Like the New York subway trains in the 1970s, the graffiti trucks of Paris are a mobile gallery of graffiti and its affront to the sterile spaces of urban commodity movement.
Graffiti on walls and static spots, as much as they are reclaiming the right to the city, under the rubric of urban neoliberal logics will become ‘no-go’ areas; places that are fiercely marginalised by agents of real estate capital. But graffiti trucks parade the subversive reclamation of space throughout the city, bringing the political act of graffiti to the people.
Marc Vallée is a London-based documentary photographer whose work explores the tension between public and private space in the context of contemporary youth culture. Marc’s pictures, self-published photography zines and photobooks have been published and exhibited worldwide. Grab a copy of The Graffiti Trucks of Paris zine.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Sophie Green’s maximalist, technicolour vision of Britain’s fringes
Tangerine Dreams — The photographer has spent over a decade documenting the rituals, subcultures and social gatherings that form the collaged fabric of the UK’s society. A new exhibition at the Martin Parr Foundation celebrates her work and the communities she captures.
Written by: Roxana Diba
Glasgow’s Calabash is the restaurant the African diaspora call home
Home Cooking — Having been open in the heart of the city for 15 years, the Kenyan rooted eatery has become a community staple for migrants and Scottish-born locals alike.
Written by: Lisa Maru
Andrea Modica’s 40 year long Italian Story
Storia — The Italian American photographer first ventured to her ancestral country in 1987, beginning a decades long exploration and documentation of it.
Written by: Miss Rosen
Exploring Bucovina, the last wild place in Europe
Noroc! — 70% of Romania’s northern provinces are covered in ancient woodland, with its people cultivating a close relationship with the land that stretches back millennia. Jack Burke forages, eats and drinks his way around the region.
Written by: Jack Burke
War & Pieces: The race to become the world’s fastest jigsaw puzzler
The Obsessives — The UK Jigsaw Puzzle Championships see contestants turn a cosy pastime into a high stakes battleground, as they race to complete 500-piece puzzles in as little time as possible. It’s as much a feat of athleticism as cognitive quickness, reports Ginnia Cheng.
Written by: Ginnia Cheng
Why is the Met Police using EsDeeKid for ‘copaganda’?
Slop Enforcement — Among the AI slop and ragebait of late-stage social media, newsletter columnist Emma Garland has noticed a jarring trend – London’s police force appropriating criminalised subcultures for engagement purposes.
Written by: Emma Garland