Intimate portraits of life at the British seaside
- Text by Huck
- Photography by Markéta Luskačová
Markéta Luskačová was first introduced to North East England in 1976, while visiting fellow photographer Chris Killip who happened to live there at the time.
For Czech-born Luskačová, who had moved to the UK the previous year, the region felt special. At the centre of that was Whitley Bay: a small seaside town 10 miles or so outside of Newcastle. Immediately, she was struck.
“I was overwhelmed by it all: the immense joy of children for being at the seaside with their siblings, parents, grandparents,” she says, recalling the first time she set foot on the beach there.
“The tiny treats, the ice creams, the candy floss giving them a magnitude of pleasure. The effort of parents in giving their children a good time in spite of the harsh weather, the physical closeness of the rough and tumble, the hugging. Families on a day out, at their best. And of course, the grey vastness of the sea itself.”
Over the next four years, Luskačová would be drawn back to document the area again and again. Today, those photographs form By The Sea, a series – currently showing at the Martin Parr Foundation in Bristol – that offers a window into the lives of those who frequented Whitley Bay.
Taken between 1976 and 1980, the images depict a time prior to cheap package holidays, when Whitley Bay was almost exclusively a working class resort. Against the backdrop of heavy wind and rain, By The Sea reveals a series of family scenes: intimate moments shared at the seaside.
“I am aware that people who are viewing my photographs from the seaside will bring their own experience, their own memories and that they might see in my photographs something different to what I see in them myself.”
“But I would hope that my pictures contribute to the social history of working class families and the history of the seaside culture of North East England in the last quarter of the 20th century. I also hope that people understand the photographs were made with love.”
By The Sea is showing at the Martin Parr Foundation until 5 October, 2019. A book, published through RRB Photobooks, will be available in September 2019.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
On the set of ‘La Bamba’, lost Latino legend Ritchie Valens’s biopic
The overnight rockstar — The Chicano rock & roll star exploded overnight in the late ’50s, but just as quickly he was gone, killed in a plane crash along with Buddy Holly. An ’80s biopic saw him immortalised on the big screen, which photographer Merrick Morton captured behind the scenes.
Written by: Miss Rosen
Louis Theroux’s ‘Manosphere’ shows men aren’t the problem, platforms are
No Ws for Good Men — The journalist’s new documentary sees him dive headfirst into the toxicities and machinations of the male influencer economy. But when young creators are monetarily incentivised to make more and more outrageous content, who really is to blame?
Written by: Emma Garland
In the 1960s, African photographers recaptured their own image
Ideas of Africa — An exhibition at the Museum of Modern Art explores the 20th century’s most important lensers, including Seydou Keïta, Malick Sidibé and Kwame Brathwaite, and their impact on challenging dominant European narratives.
Written by: Miss Rosen
Reynaldo Rivera’s intimate portrait of queer Latino love
Propiedad Privada — Growing up during the AIDS pandemic, the photographer entered a world where his love was not only taboo, but dangerous. His new monograph presents inward-looking shots made over four decades, which reclaim the power of desire.
Written by: Miss Rosen
In photos: The newsagents keeping print alive
Save the stands — With Huck 83 hitting shelves around the world, we met a few people who continue to stock print magazines, defying an enduringly tough climate for physical media and the high street.
Written by: Ella Glossop
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke