Inside the Latinx community’s Rockabilly revolution
- Text by Miss Rosen
- Photography by Alexander Thompson
In the 1950s, Rockabilly music burst on the scene in the form of Elvis Presley, Johnny Cash, Buddy Holly, and Bill Haley. Coming out of the American South, it fused country music with rhythm & blues, bluegrass, and boogie woogie into a sound all its own.
But it wasn’t just a sound: it was a style and attitude as well, defined by James Dean in Rebel Without a Cause and Marlon Brando in The Wild One. It was leather jackets and jeans, pompadours and tattoos, pin-up girls and burlesque, hot rods and drag races. It was an act of defiance against an oppressive society.
In the decades since, Rockabilly has taken different forms, enjoying a resurgence in the 1970s with the Teddy Boys and Girls in London and an American revival with the Stray Cats during the 1980s. Since then, it’s maintained its place among subcultures, paying homage to the roots of teenage rebellion in music, fashion, and cars – most notably among the Latinx community on the West Coast.
Mexican-Americans have embraced Rockabilly from its earliest years, going back to Ritchie Valens of “La Bamba” fame. Today, a new generation embraces the styles of the past as a way to create an identity distinct from older generations as well as their non-Latinx contemporaries.
“It’s a way of life,” Colombian-American photographer Alexander Thompson notes. Based in New York, Thompson first fell into the scene in the late ’90s, when he was hitting up Ivan’s Drive-In at Coney Island High on St. Mark’s Place. “It was primarily a Rockabilly party,” he recalls. “I remember seeing Robert Gordon, who was a big Rockabilly singer in the mid-’70s. I was in awe of the scene, the style, and the look, and started going to shows at CBGB’s and Rodeo Bar.”
In 1998, he went to Viva Las Vegas, the annual Rockabilly weekend now in its 20th year. “That took it to another level for me. I saw these incredible people, the music, the cars,” he reveals. “I showed up on a Thursday and had taken some portraits during the day. Then that night, in the ballroom, where they have bands and DJs, I remember these young kids walking in. A lot of them seemed to know each other. The were dancing together and had this kind of family.”
At Viva Las Vegas, legends like Jerry Lee Lewis and Little Richard headline while contemporary acts like Desperados, Luis & the Wildfires, and Omar & the Stringpoppers represent for the Latinx community. “A lot of bands come out of a West Coast label called Wild Records and they are the forefront of the scene,” Thompson explains. “The bands are very young, very stylish, and when they get on stage they really perform. They will drop down and swirl on the ground. It’s what you would think: wild, rebellious music. It’s really incredible.”
See more of Alexander Thompson’s work on his official website.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
