A raucous portrait of the Beat Generation, from 1957 - 1960 | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

A raucous portrait of the Beat Generation, from 1957 - 1960

Shot by Burt Glinn — From late-night loft parties to crowded poetry readings, a new book featuring previously unseen work from photographer Burt Glinn depicts the era in all of its glory.

Thanks to the legacy of both its literature and music – as well as the constant stream of pop-culture depictions that continue to celebrate its influence – everyone knows what the Beat Generation sounded like.

However, when it comes to imagining how things would have been during the days of Burroughs, Kerouac, Ginsberg et al, things start to get a little hazier. In truth, beyond the occasional turtleneck, the visual history of the Beats isn’t nearly as widely documented as one would first imagine.

So, when Tony Nourmand, Editor-in-Chief at Reel Art Press, stumbled upon a box of over 400 negatives taken by Magnum photographer Burt Glinn that depicted the era in all of its glory, he – in his own words – “screamed” with excitement.

NYC156657 copy“There’s no point writing about the beat generation – saying Allen Ginsberg was this, Jack Kerouac was that – because so much has been written about it,” Nourmand explains.

“But with these photos, when you look at them, they look unreal. You never see the Beat Generation like this. To find an incredible body of work that has never really been published – an archive that is absolutely mind-boggling – it’s been the most exciting discovery for me.”

NN11536160 copy 2The previously unseen work makes up The Beat Scene, a collection of images that illustrate the eponymous movement between 1957 and 1960. Featuring late-night loft parties, crowded poetry readings and some of the era’s foremost figures in their natural habitat, Glinn’s photos depict the era’s pinnacle first-hand.

“His photos give you a window of what the Beats were really like,” Nourmand adds. “There is just so much going on here.”

USA. San Francisco, CA. 1960. Beatniks.For Glinn, who died in 2008 at the age of 82, the project correlates with his emergence as a photographer. Along with his work on the Cuban Revolution, the Beats provided the former Magnum president with one of his breakthrough assignments.

With The Beat Scene, not only does the work offer a portrait of the Beats in all of their glory, but of a photographer who would soon go on to establish himself as one of the leading names of his generation.

“Burt – from what I gather from speaking to people about him and looking at the archive – he was just one of these guys who absolutely lived and breathed photography.”

NYC25285 copy NYCmagnum2 copy NYC46866 copy USA. New York City. 1959. 7 Arts. NYC156654 copyThe Beat Scene: Photographs by Burt Glinn is out now on Reel Art Press

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Culture

Nick Haymes’s intimate portrait of his family’s life

Chronograph — Over 25 years, the photographer documented his son’s lives as they grew into adults. The resulting photobook is an exploration of the passage of time, as well as the optimism of youth.

Written by: Miss Rosen

Culture

Kristina Rozhkova’s scatty, confronting portrait of captivity

Gut Feeling — The Russian artist’s 2024 arrest and subsequent detention opened her eye towards the omnipresent dynamics of power and control. Her new photobook is a stark exploration of being trapped.

Written by: Isaac Muk

Music

Julian Cashwan Pratt: “We fought security until the cops showed up”

Hard Feelings — The lead singer of Show Me the Body joins Rob Kazandjian’s column on fatherhood and masculinity to talk about mentors, scrapping Zionists at shows, and finally making his father proud.

Written by: Robert Kazandjian

Culture

UK’s first ever Latino film festival is coming to London

LoLaFF — Taking place between October 2-6, it will feature 55 filmmakers from Latin America, with an opening night at the Barbican.

Written by: Isaac Muk

Culture

Shawn Walker’s layered, psychedelic vision of Harlem’s streets

From BeBop to Illusion — Using glass as a means to illuminate the city’s different layers, the longtime photographer and filmmaker is publishing his first monograph at the age of 86.

Written by: Miss Rosen

© Wayne Campbell
Activism

In photos: The enduring resistance of Notting Hill Carnival

Carnival of Resistance — A new photobook by Wayne Campbell and Wayne Crichlow reflects on the protest beginnings of Europe’s biggest street festival, along with the traditions keeping its original spirit alive today.

Written by: Isaac Muk

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.