A raucous portrait of the Beat Generation, from 1957 - 1960
- Text by HUCK HQ
- Photography by Burt Glinn / Magnum Photos
Thanks to the legacy of both its literature and music – as well as the constant stream of pop-culture depictions that continue to celebrate its influence – everyone knows what the Beat Generation sounded like.
However, when it comes to imagining how things would have been during the days of Burroughs, Kerouac, Ginsberg et al, things start to get a little hazier. In truth, beyond the occasional turtleneck, the visual history of the Beats isn’t nearly as widely documented as one would first imagine.
So, when Tony Nourmand, Editor-in-Chief at Reel Art Press, stumbled upon a box of over 400 negatives taken by Magnum photographer Burt Glinn that depicted the era in all of its glory, he – in his own words – “screamed” with excitement.
“There’s no point writing about the beat generation – saying Allen Ginsberg was this, Jack Kerouac was that – because so much has been written about it,” Nourmand explains.
“But with these photos, when you look at them, they look unreal. You never see the Beat Generation like this. To find an incredible body of work that has never really been published – an archive that is absolutely mind-boggling – it’s been the most exciting discovery for me.”
The previously unseen work makes up The Beat Scene, a collection of images that illustrate the eponymous movement between 1957 and 1960. Featuring late-night loft parties, crowded poetry readings and some of the era’s foremost figures in their natural habitat, Glinn’s photos depict the era’s pinnacle first-hand.
“His photos give you a window of what the Beats were really like,” Nourmand adds. “There is just so much going on here.”
For Glinn, who died in 2008 at the age of 82, the project correlates with his emergence as a photographer. Along with his work on the Cuban Revolution, the Beats provided the former Magnum president with one of his breakthrough assignments.
With The Beat Scene, not only does the work offer a portrait of the Beats in all of their glory, but of a photographer who would soon go on to establish himself as one of the leading names of his generation.
“Burt – from what I gather from speaking to people about him and looking at the archive – he was just one of these guys who absolutely lived and breathed photography.”
The Beat Scene: Photographs by Burt Glinn is out now on Reel Art Press.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Tish Murtha’s searing documentation of broken Britain
Vandalism on a Grand Scale — Capturing youth unemployment and poverty in north-east England during the ’80s, the photographer never lived to see her work published. A new photobook by British Cultural Archive brings her eye-opening work to light.
Written by: Miss Rosen
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White
A melancholic portrait of youth, rebellion and womanhood in Iran
And They Laughed At Me — Newsha Tavakolian has worked as a photographer all her adult life, as Iran underwent change, upheaval and conflict. Her new photobook explores the formative years of her eye and art amid generational strife, hope and disappointment.
Written by: Miss Rosen
The real life mermaids of Florida’s Weeki Wachee Springs
Old Florida — A relic of pre-Disney tourism in the state, the show – which sees women perform athletic underwater tricks in a natural spring – has been running since 1947. Jack Burke attends, while reflecting on the fragility and fantasy of old America.
Written by: Jack Burke
The intricate, clandestine art of Japan’s traditional tattoos
Irezumi — Having emerged during the Edo Period centuries ago, inking skin has long been associated the country’s working class, and particularly Yakuza. A new book by Manami Okazaki explores the history and deep meaning of the practice, as well as the horishi who dedicate their lives to the needle.
Written by: Isaac Muk
Road tripping across 1970s America
73 Trip West — In 1973, Larry Racioppo set out from Brooklyn to California, armed with a medium format camera. For the first time in over half a century, roadside photographs from his trip have been unearthed.
Written by: Miss Rosen