The tranquil beauty of New York's waterways
- Text by Susannah Ray
- Photography by Susannah Ray
Walt Whitman, in his 1856 poem “Crossing Brooklyn Ferry”, ecstatically invokes New York City’s waterways. Passionately, deliriously, Whitman calls out to the tides, the gulls, the ferry passengers, the light, the clouds, the ships, the sailors, the waves, the cities on the far shore. All humans are divine in his eyes, their reflected faces anointed by “fine spokes of light” in the passing waters. “Suspend,” he cries, celebrating these moments unmoored from the sure time of the city.
Inspired by the unfettered humanism of Walt Whitman and by the shifting light and reflective waters of American Luminism, I have gathered these images of life upon and alongside New York City’s waterways.
The distant spires of Manhattan appear from across bays and harbours, rivers and creeks. These photographs ferry the viewer to the far reaches of the outer boroughs: Brooklyn, the Bronx, Queens and Staten Island. There, time moves according to season, ceaselessly circling back upon itself, eschewing the forward march of the grid.
Daylight lengthens, the water warms and resounds with voices and motors. Daylight shortens, the waters cool into icy silence. Shoreline remnants tangle into fictive histories. Bridges arc from shore to shore, steel longings drawn between boroughs, eternally crossing the tides below.
New York Waterways by Susannah Ray is published by Hoxton Mini Press.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
Confronting America’s history of violence against student protest
Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality.
Written by: Miss Rosen