Photographer Tony O'Shea reflects on four decades spent capturing the reverie, isolation and humanity of Dublin and County Kerry.

Photographer Tony O'Shea reflects on four decades spent capturing the reverie, isolation and humanity of Dublin and County Kerry.

From 1979 through till 2019, Irish photographer Tony O’Shea shot intimate, black and white photographs, providing an intimate glimpse into Ireland and Northern Ireland. These are now featured in a new book, The Light of Day, which includes previously unpublished photographs documenting both isolation and unity and how in many instances, they can entwine.

The book comes ahead of an exhibition of O’Shea’s work set to take place in 2021 at the Gallery of Photography, Ireland. For O’Shea, being able to view his photographs on a page makes for an even richer experience: “In a sense, I think a book is a fitting place to show photographs, when you can go back again and again, and look at the same image and maybe look at it in a different way or see new things.”

“In many ways, we are a bit obsessed with our own identity,” O’Shea observes, describing the role Ireland plays in his work. Most of his photographs were taken in Dublin and County Kerry. “We’re often asking this question of ‘What does it mean to be Irish?’ and there are probably many answers. But I suppose it’s this whole need for ritual,” he says. 

His work traverses themes of processions, ceremonies and protests, along with other social gatherings, documenting the unique human spirit of everyday Ireland. As Colm Tóibín writes in a text included in the book: “[O’Shea] seeks images of individual loneliness and isolation, figures in a state of reverie and contemplation, or figures in a state of excitement.” 

O’Shea attributes his enduring fascination with capturing emotional vulnerability to studying philosophy at college and learning about the theory of existentialism: “Human beings [are] able to reflect on themselves and are possibly the only creatures who can do this,” he says. “That brings with it a certain kind of isolation and I suppose the whole uncertainty about what happens when we die. It does create that kind of human experience of isolation and separation.”

The photographer provides a counterpoint to the representations of loneliness through his striking shots of crowds or busy streets. “It is very interesting to look at people in crowds or in groups,” he says. “How they try to reach out and the satisfaction of being part of a group, rather than an isolated individual.”

“I’m hoping that I’ve stumbled across something that is a little bit of what it means to be human.”

Light of Day is out now on RRB Photobooks. 

Follow Charlotte Rawlings on Twitter

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.