Tommy Guerrero
- Text by Alex Denney
- Photography by Tommy Guerrero
In his pomp as the “godfather of street skating”, Tommy Guerrero was noted for his relaxed, smooth style of boarding; tracing long, languid arcs through the streets of his San Francisco hometown.
As a musician, the former Bones Brigade talisman — now aged 47 and about to tour Europe for the first time — preaches a similarly laidback approach. Mixing 70s soul and funk, surf-rock, hip-hop and house, Guerrero’s solo repertoire includes a couple of records cut for James Lavelle’s seminal 90s imprint Mo’Wax, and strongly evokes a life spent on streets gently baked by the California sun.
Though not exactly worlds apart from its predecessors, ‘No Man’s Land’ — Guerrero’s seventh solo LP to date — distinguishes itself from the pack chiefly by dint of its parched spaghetti western overtones.
‘Black Dust’ is an atmospheric, string-laden opener, while ‘The Gunslinger’ is a terrific slice of cinematic hip-hop with a hint of Morricone in the trebly guitar. ‘Handful Of Hell’ brings to mind the desperado flair of regular Tom Waits sideman Marc Ribot, and ‘El Bandito’ even ropes in rattlesnake percussion and whistling in service of its outlaw theme. ‘Phantom Rider’, meanwhile, features some superbly twangy guitar work from Guerrero.
On a slightly different tip, ‘The Man From Califas’’ twinkling glockenspiel and busy, delicate drum work resembles the soundtrack to some forgotten piece of West Coast noir from the 60s. And the breezy, delightful ‘Hombre Sin Nombre’ sounds like Shuggie Otis jamming out with Steely Dan.
Guerrero keeps each song taut and concise, though at 17 tracks long, you could argue the record would have benefitted from a little more variety to shake up its more coffee table moments. As it stands, ‘No Man’s Land’ plays more like one of Booker T & The MGs’ records from the early-70s — a curio, perhaps, but a stylish one nonetheless.
Levi’s Skateboarding Collection presents…
Tommy Guerrero’s 2014 European Tour :: No Mans Land
Catch Tommy on his first ever European tour in a city near you:
14 April. Leeds, Brudenell Social Club
15 April. London, Underworld
17 April. Haarlem, Patronaat
18 April. Eindhoven, Effenaar
19 April. Maastricht, Muziekgieterij
20 April. Paris, New Morning
22 April. Lyon, Le Sucre
23 April. Marseille, Le Poste A Galene
24 April. Sant Feliu de Guixols, Atzavara
25 April. Madrid, El Sol
26 April. Málaga, Velvet
28 April. Barcelona, Sidecar
For more info on Tommy Guerrero’s No Mans Land European Tour 2014, check him out on Facebook or head over to Levi’s Skateboarding.
You might like
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
The suave style and subtle codes of gay San Francisco in the ’70s
Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.
Written by: Miss Rosen
The stripped, DIY experimentalism of SHOOT zine
Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.
Written by: Miss Rosen
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk
When David Wojnarowicz became Arthur Rimbaud
Arthur Rimbaud in New York — In 1978, the American artist and his friends donned masks to pay tribute to the French poet, who was born a century before him. Miss Rosen traces the differing yet parallel lives of the queer revolutionaries.
Written by: Miss Rosen
