Toro y Moi’s Chaz Bundick wants to make approachable art
- Text by Robin Nierynck
“Creating art and music, that’s my version of going for a run. It’s kind of meditative and therapeutic, it just draws you in,” Chaz Bundick muses in his new ‘Sketch to Screen’ doc. Chaz graduated college with a graphic design degree when he became preoccupied with his music as Toro y Moi, but he still considers illustration an important and stimulating hobby. Today he runs his own design agency, Company Creative, alongside his record label, Company Records.
In the newly released video, Chaz discusses his illustrations while creating an original t-shirt at Yes Press, a screen printing studio in Oakland owned by Chaz’s creative partner, Brendan Nakahara. “I like playful logos,” he explains. “I feel like they’re approachable. And when you see a logo that’s not so serious, or so complicated you’re more inclined to wanna know more about it.”
Grab a copy of Huck’s Fiftieth Special to read our interview with Chaz Bundick. Subscribe to make sure you don’t miss another issue.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk