This year, London’s legendary 100 Club celebrates its 75th birthday. During this time, the Oxford Street venue has become a stalwart of the city’s underground music scene, hosting some of punk’s most influential icons – from the Sex Pistols and Siouxsie and the Banshees, to The Clash and The Fall.
This rich cultural legacy is being celebrated in a new book from London publishing house Ditto. 100 Club Stories – which is made in collaboration with Fred Perry –is a collection of photos, stories and paraphernalia taken from across the venue’s history.
“You don’t get to be around for 75 years as a small business without doing something right, especially as a venue,” explains Ditto founder Ben Freeman.
Dencil’s Sexy Chocolate Bar by Dave Swindells
Dancers take a break by Emily Beaver
“The club was very welcoming of everyone. At a time when security could be extremely violent and management could be divisive and selective, the 100 Club welcomed everyone – from South African musicians to Oi! Bands – and treated them with due respect.”
Launched in 1942 as the ‘Feldman Swing Club’, the venue quickly became a home for music’s countercultural movements. Throughout the ’40s and ’50s, it became known for hosting global jazz stars like BB King and Muddy Waters, before moving on to punk in the ’70s. (The venue played host to the 100 Club Punk Special – an event headlined by the Sex Pistols, Buzzcocks and The Damned – a historic event that cemented its status as one of the world’s most innovative and exciting music venues).
Siouxsie Sioux by Barry Plummer
The book comes at a fraught time for London nightlife, which has been struggling under the weight of the city’s rising living costs. Despite that, the 100 Club shows no sign of subsiding.
“[London nightlife] has just changed over the years,” adds Freeman.“ I think a combination of the smoking ban, rate rises and hostile local councils have made it very hard for pubs and clubs to survive in the way they used to – but I still go out regularly in London and see some amazing new bands, nights and clubs.”
“The UK has pretty much always been exceptional at creating culture, punching way above our weight. I don’t see any sign of this going anywhere.”
Amebix by Paul May
Nite Raid Club Night 1986 by Gary Haisman
Shame by Phoebe Fox
Dudu Pukwana by Jak Kilby
Humphrey Lyttelton’s London Jazz Club Scrapbook
Dancers at the 100 Club by Elaine Constantine
John Lydon by Barry Plummer
Dragon Tim by Charlie Harper
100 Club Stories is available now on Ditto Press.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
A stark, confronting window into the global cocaine trade
Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.
Written by: Isaac Muk
“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos
Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.
Written by: Noah Petersons
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
Free-spirited, otherworldly portraits of Mexico City’s queer youth
Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.
Written by: Isaac Muk
