A new exhibition celebrates the radical power of text in art
- Text by Josie Wade
Crossing states in its realisation, Visual Language is a new bi-coastal exhibition that compels us to consider the function of words and their use in art – whether its to provoke, exclaim or manipulate.
Set against the backdrop of the current US political climate of ‘fake news’, the show presents pieces of distorted truths and multiple realities. It brings together an amalgamation of work from the likes of Guerilla Girls, Wayne White, Shepard Fairey, Jenny Holzer, Betty Tomkins, Dface, Ed Ruscha, Nathaniel Russell, Chad Kouri, Scott Albrecht, Ramsey Dau and Umar Rashid.
Often satirical, sometimes comical, and always provocative, the pieces displayed engage viewers in a dialogue about the influence of language. With the galleries curated so that the artists juxtapose or compliment one another’s ideas, we are left with a great appreciation for the value and weight of word within art.

Betty Tompkins

Jenny Holzer
“Though I don’t think that all art needs to be political, and not all of the art in Visual Language is political, I do think it is an important moment for artists who want to make political statements through their art to have a platform,” explains Shepard Fairey, one of the exhibition’s curators. “I chose artists based on a love of their work but also a respect for their vision.”
Co-curator Richard Scarry adds that the artists involved were chosen for their sharp recognition of the power and importance that word and image have when combined within the art world.
The exhibition will run simultaneously in L.A. and New York, opening at Subliminal Projects (1331 Sunset Blvd, Los Angeles. CA 90026) on September 8 and at FACTION Art Projects (2602 Frederick Douglass Blvd. New York City NY 10030) from September 13. Both shows will run through October 6, 2018.

Ramsey Dau

Wayne White

Shepard Fairey

Ramsey Dau

Guerilla Girls

Ramsey Dau

Shepard Fairey

Wayne White
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
On The Mountain, Jamie Hewlett’s Gorillaz explore life after death
Going East — As everyone’s favourite animated band release their latest album, the visual artist behind it all catches up with Josh Jones to chat about the grief and spirituality underlining the record, as well as his learnings from how other cultures approach death and the afterlife.
Written by: Josh Jones
Greer Lankton’s dolls are more human than you think
Could It Be Love — A staple figure in New York’s ’80s East Village scene, her art shocked and confronted. Now, three decades after her death, a new monograph anthologises her work, which explores the darker sides of human life, but also finds beauty within the strange.
Written by: Miss Rosen
In photos: The colourful, foreboding techno-optimism of the ’90s
A Visual History — Henry Carroll’s new book traces the roots of unfettered, present-day neoliberalism through images from the 20th century’s final decade, raising questions about how we arrived at where we are today.
Written by: Miss Rosen