Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Lost and found: Aisha Badru maps her musical journey

The Monday Mix — For the latest instalment of Huck’s Monday Mix, the New York artist shares the music that’s accompanied her from late night open mics to the recording of her debut album.

Upon graduating high school, Aisha Badru turned down two music scholarships. Shackled by the assumption that she’d never make it as an artist, the New Yorker landed at a college in the Bronx, miserable and a little lost.

After sticking it out for three years, she finally made the decision – despite protests from her college professor father – to drop out and make the jump. Working in a book shop by day, Badru spent her evenings performing at open mics, using her own relationship with personal conflict to help shape a series of airy, ethereal folk songs.

It was one of these – aptly titled “Waiting Around” – that first announced the Yonkers-born musician on a major scale, propelling her into the limelight – and a Volkswagen commercial. Now, with a debut album scheduled for release in the coming months, it’s fair to say that it’s been quite the journey. For the latest instalment of The Monday Mix, Badru shares some of the music that shaped her along the way.

“Early on, a big music influence for me was Malaysian singer-songwriter, Yuna. Her voice was delicate, yet her lyrics always carried a lot of weight. Sarah Jaffe’s album Suburban Nature, was another big influence through her youth. Jaffe’s production was mostly simplistic, allowing her craft of story telling to stand out,” she tells Huck.

“This playlist is a compilations of songs from artists who have inspired me over the past few years – especially during the time when I was still gaining confidence to release my music.”

‘Fast Car’ – Tracy Chapman
‘Hallelujah’ –  Jeff Buckley
‘Strawberry Swing’ – Frank Ocean
‘Clementine’ – Sarah Jaffe
‘Decorate’  – Yuna
‘Middle of The Bed’ – Lucy Rose
‘Girl On An Island’ – Alice Phoebe Lou
‘Self Help Tape’ – Moses Sumney
‘Aqueous Transmission’ – Incubus
‘Wash Away’ – Joe Purdy

Watch the video for Aisha Badru’s “Bridges”, out now via Nettwerk Music

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


You might like

Music

Celebrating the art of making out on tour with Tove Lo

The Kiss Book — In the wake of the pandemic, photographer Kenny Laubbacher travelled around several countries with the Swedish pop star, capturing the joy and desire of kissing fans.

Written by: Zoe Whitfield

Music

The dreamy, surfy sounds of Cactus for Breakfast

Vitamin B — The Berlin-based band blends eclectic lyrics and influences spanning The Ventures, King Gizzard & the Lizard Wizard and Fela Kuti into a swirl of garage psych. We caught up with them as they brought their jubilant live show to Huck’s showcase on the final night of SXSW London.

Written by: Roxana Diba

Music

Huck's SXSW gig was a sweat-soaked rager

Huck it's so hot: At Village Underground for SXSW London’s final night, Huck co-curated a bill featuring Honey I’m Home, Cactus For Breakfast, Master Peace and shame – here's what went down.

Written by: Ella Glossop

Music

Analogue Appreciation: Balming Tiger

Gongbu — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s K-pop experimentalists Balming Tiger.

Written by: Balming Tiger

Ika Schwander ‘Two of Swords’, Apolemia © Julien Janssens
Music

Horst Festival is a blueprint for a creative, collective future

Hymn — Highlighted by an engrossing performance directed by Fallon Mayanja, the 2026 edition was a showcase of ASIAT Park’s ever-evolving space as an incubator for art, music and creativity.

Written by: Isaac Muk

Music

Radiohead’s Ed O’Brien: “Technology’s evolution on the human psyche is a massive problem”

Blue Morpho — With the release of his second solo album, the songwriter and guitarist explores analogue rawness, spirituality and pulling himself out of a dark place. D’Arcy Doran caught up with him at SXSW to find out more.

Written by: D’Arcy Doran

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.