How Banquet Records turned a failing music shop into the beating heart of a local scene

A triumphant record store-y — Thanks to people like Banquet Records co-founders Jon Tolley and Mike Smith, record shops still exist in the age of music streaming.

Sometimes a shop is not really a shop. Sometimes a shop is the heart of a local scene, without which an entire subculture would be lost. Such is Banquet Records, an independent record store in Kingston, just outside London, owned by music aficionados Jon Tolley and Mike Smith.

The current incarnation of the store began in 2005 when Jon and Mike bought the failing store from the previous owner, who had in turn purchased the store from the Beggars Banquet chain when they closed in 2002.

The store’s continuing success – when others are closing down at an alarming rate – stems from their multifaceted approach to the business; they also run club nights, put on gigs and have their own record label, which started from Jon’s bedroom. The recent spate of London venue closures was a setback, but Jon and Mike solved it more imaginatively than most, putting on shows in a local church and theatre.

Huck-BanquetRecords-Photoby-JordanStephens-Web1

“When The Peel closed, we had to bite the bullet and find a solution to put bands on,” says Jon, of a much-loved local Kingston haunt. “We’ve been experimenting with gigs in All Saints Church – which is a whole different way of experiencing a band live. Although we do massively miss The Peel, it’s possibly turned out for the better. The worst thing about its closure is that it was a sixteen-plus venue, which encouraged and promoted music for college kids. Having small independent venues is crucial.”

The shop manages to attract huge names to play in Kingston, from pop-punk heroes You Me At Six to Liam Gallagher and Britpop icons Suede. “There’s a mixture of reasons why people will play a gig,” says Jon. “One would be money. The second would be that they want to do something cool for kudos or whatever. For example, when Bastille played here, they didn’t do it to get loads of money or loads of album sales, they wanted to do something cool and fun. And the third would be album sales. In a time when you don’t need too many sales to get a number one album, the difference that we can make to an album campaign might be enough to make it top twenty or not. […] A lot of bands play just because they want to have a fun time – touring American bands wanna play a sweaty punk show to 100 people, that’s awesome, and we do that a lot. It’s important.”

Banquet have dealt with their fair share of bad shows, though, whether that’s having to put bands on a podium in front of the DJ booth in a nightclub or people not turning up. The best shows over the years, Jon says, are always the stepping-stone gigs – gigs that mark a turning point in some way. “I think as a music fan and as a promoter, you’re quite keen to experience new things – there’s some crazy things that have happened and you get to appreciate events more for the service they provide rather than just as a fan when you have to work them.”

Huck-BanquetRecords-Photoby-JordanStephens-Web2

Jon’s passion and love for music is what attracts many customers to the shop. “Helping a band out that you believe in and seeing them grow and grow – you feel like a sort of proud big brother from a distance,” he says. “There’s a business side to things and a moral side. The things that we do best are the things that are good in both ways. When HMV closed, we offered customers with vouchers fifty per cent off at Banquet – it was unfair that in the run up to Christmas they knew they were going to pull the plug and they still sold vouchers that they knew wouldn’t be redeemable. There was a lot of cynicism surrounding that, people thought we were dancing on HMV’s grave, but we were just trying to give music fans an experience, and people were really appreciative of it.”

So, what’s next for the store in the age of streaming? “There’s not too much that we really need to do,” says Jon. “The important thing is just being able to adapt to your customer’s demands and wants. Whatever happens, people are going to need music in their lives… As patronising as it sounds, making mistakes is fine. It’s how you deal with them once they’ve been made. The other thing is to believe in what you do. Don’t waste your life. Whatever you do, give it 100 per cent. That ethos is really relevant here. Everyone who works here cares about this thing that we’re involved with and it’s brilliant.

“There’s a Charlatans lyric from back in the day – ‘Live it like you love it.’ Don’t do things by halves.”

This article originally appeared in Huck’s Fiftieth Issue Special, a collection of fifty personal stories from fifty inspiring lives.

Grab a copy now to read all fifty stories in full. Subscribe to make sure you don’t miss another issue.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

A woman with curly blonde hair wearing a black dress and making a peace sign gesture in front of a dark background.
Music

Nina Utashiro builds disquieting, macabre sonic worlds

Huck x Eastern Margins — We caught up with the Japanese-German rap experimentalist ahead of her performance at Huck’s SXSW London joint event with Eastern Margins.

Written by: Isaac Muk

Smiling people enjoying a night out, one person wearing a red hat and jacket.
Music

Huck teams up with Eastern Margins for a special SXSW London showcase

From Shibuya to Shoreditch — Taking place at Village Underground on Monday, performances will come from MONO, Nina Utashiro, Ena Mori, Jianbo, LVRA & Soda Plains.

Written by: Isaac Muk

A person in a grey jacket stands against a mountainous, foggy landscape. The image has the text "huck presents Analogue Application" overlaid in yellow and green.
Music

Analogue Appreciation: Shura

I Got Too Sad For My Friends — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s English singer-songwriter Shura.

Written by: Shura

Cello player and bearded man seated with text 'Spaces Between the Beats' in the background.
Music

After Assad’s fall, Syria’s musicians rebuild from the rubble

Spaces Between the Beats — Following decades of dictatorship and 14 years of civil war, the country’s classical and creative scenes have an opportunity to build from scratch. Andrei Popviciu speaks to the people hoping for a flourishing new era of art and sound.

Written by: Andrei Popoviciu

A group of people sitting around a campfire in a dark forest, with trees and flowers in the background illuminated by the fire's glow.
© Angelina Nikolayeva
Music

At Belgium’s Horst, electronic music, skate and community collide

More than a festival — With art exhibitions, youth projects and a brand new skatepark, the Vilvoorde-Brussels weekender is demonstrating how music events can have an impact all year round.

Written by: Isaac Muk

A person wearing a black cap and holding a sign that says "What made me"
Music

Tony Njoku: ‘I wanted to see Black artists living my dream’

What Made Me — In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s avant-garde electronic and classical music hybridist Tony Njoku.

Written by: Tony Njoku

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.