Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

I went to an orchestra made up of 40,000 honeybees and it was amazing

Immersive new art/music project BE•ONE — An experiment in bringing man closer to the fuzzy bug responsible for life on earth.

The story goes that artist and musician Wolfgang Buttress was chilling at his mate’s place – near a sizeable beehive – when he was overcome by the musicality of their collective hum. Apparently nature’s favourite little workers had struck the key of C and their low elemental vibrations really moved open-minded Wolfgang.

He had already started a love affair with the honeybee in his 2015 UK pavilion design for the World Fair – a giant metal lattice structure called The Hive. But now Wolfgang set about putting a band together that could write music with and then improvise live to the sound of the humble bumble.

The resulting album BE•ONE – four tracks of haunting soundscapes that finally bring man and bee onto the same page – features field recordings of hives, earthly string sections and otherworldly vocals with lyrics like, ‘I am your Queen.’

The ensemble played live recently in Shoreditch’s Sonos Studios – with the bees livestreamed in from a hive in Kent (ah technology you tricksy minx!) – and the effect was actually incredible.

The musicians were positioned behind a net screen and projections – of busy bees, hives, honeycomb and more cosmic interpretations of those three things – bathed everyone in a warm yellow glow. First there was a spoken-word recording that articulated some of the honeybee’s musicality – from ‘toots and cracks and purrs’ to the ‘Waggle Dance’ (some of it even sounded like birdsong!). And then the music rose up and seemed to come straight from the core of the earth itself. Loud, hypnotic, and constant, it hits you right in the belly – an amazing experiment that aims to reconnect us with our very-important-for-life friends.

Buttress told the Guardian recently: “It’s about listening rather than dictating. Trying to tune in and find harmony, where you’re working with something rather than against it. Humans like to think that they’re always in control but we should be learning to let go sometimes. It can be hard to do that but also quite liberating.”

Buttress and crew are playing BE•ONE at a select number of festivals over the summer. Check into the Caught By The River website for more info.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Music

The utopic vision of Black liberation in ’60s & ’70s jazz

Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.

Written by: Miss Rosen

Music

Analogue Appreciation: Wesley Joseph

Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.

Written by: Wesley Joseph

Music

The Strokes condemn US imperialism in Coachella set

Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.

Written by: Noah Petersons

Music

The heady bliss of Glastonbury Festival after the music

Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.

Written by: Isaac Muk

Huck 83: Life Is A Journey Issue

The cathartic roar of Vietnam’s hardcore punk scene

Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.

Written by: Frank L’Opez

Music

The rise of anywhere and everywhere radio

Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.

Written by: Bella Koopman

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.