Bleak and beautiful: a visual history of Leeds

20th century portrait — After moving to the city in the 1970s, photographer Peter Mitchell began shooting its rapidly-changing urban landscape.

“They’re not really nostalgia and they’re not really charming,” says Peter Mitchell, assessing his images of Leeds, a city he’s been photographing for over 40 years. “But people do identify with them.”

Arriving in 1972 from London where he studied at Hornsey College of Art – he’s originally from Manchester – the photographer got “stuck” in Leeds while visiting friends in the city. He quickly found a flat in Chapeltown, where he still resides today. 

Working various jobs, it was a stint driving trucks that first led him to explore the city’s landscape and establish his distinct visual perspective. Initially taking on photography as a vehicle for silk screen printing, in 1979 he exhibited his pictures at Bradford’s Impressions Gallery. The show, titled A New Refutation of the Space Viking 4 Mission, was the first exhibition of colour photography at a British photographic gallery by a British photographer, and was lauded by his contemporary Martin Parr.

“It coincided, just about, with Britain starting to appreciate photography,” Mitchell says today. “It’s always been backward – nothing like America or Europe – but the arts council started taking an interest in photography. They actually set up a staff and handed out bursaries.”

Queens Road LS6, Hartwell terrace Leeds

Queens Road LS6, Hartwell terrace

Roundhay Road Leeds

Roundhay Road

His practice has continued in much the same vein over the last four decades, studying the city and shooting buildings of interest (frequently rundown and close to destruction), alongside other work. Released this month, new book Early Sunday Morning is perhaps the biggest Peter Mitchell volume to date, and highlights the personal framing of his observations of the city.

Named by his co-editor John Myers in reference to the Edward Hopper painting of New York in 1930, the book is a considered portrait of the city featuring close to 100 images in full colour. “The colour of Leeds used to be black because it was so industrial,” he says. “They didn’t start cleaning it up until halfway through the ’70s, and it didn’t look right somehow.” In his images, any bleakness is softened with bright skies and pops of colour courtesy of painted window frames.

“It was fast, there were whole terraces demolished in a day,” he explains of how the images, shot during the ’70s and ’80s, took form. “I made a note of things because I would think, ‘that looks incredible but it would look great if the windows were smashed’. They were sort of spontaneous, but I did a lot of waiting, going there morning and afternoon. I suppose one of the universal things I saw about them, was all these places were vulnerable, they weren’t going to be there for much longer.”

Cloth Hill street Leeds

Cloth Hill street

Hyde Park Corner Leeds

Hyde Park Corner

Alea Stony Rock Westlock terrace Leeds

Alea Stony Rock Westlock terrace

Union Cross between Stocks Hill and Crab Lane

Union Cross between Stocks Hill and Crab Lane

Meanwood road off Cliffdale road Leeds

Meanwood road off Cliffdale road

Burley Road Leeds

Burley Road

Chapeltown Road Leeds

Chapeltown Road

Early Sunday Morning is out now on RRB books.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.