Inside the obscured, closeted habitats of Britain’s exotic pets
- Text by Hannah Bentley
- Photography by Jonty Clark
“I have a few animals...” — For his new series, photographer Jonty Clark went behind closed doors to meet rare animal owners, finding ethical grey areas and close bonds.
After months of messaging back-and-forth on Facebook, photographer Jonty Clark managed to finally persuade Tania to let him photograph her two pet wolves. With no idea what to expect, he made the trip to Hemel Hempstead and knocked on her door.
She opened it just a crack, barely enough to peer out. “Give me your hand,” she ordered. A warm, wet tongue licked his fingers to taste his skin, but more importantly, to learn his scent.
“They can smell fear – you need to be calm,” Tania warned as she revealed two grey wolves standing on their hind legs, towering tall at six-foot-two.
Inside, the wolves, named Loki and North, paced the living room, occasionally pausing to sniff Clark’s feet. He took in the surroundings, noticing a torn-up sofa covered in bite marks and paw prints. As he began to take pictures, the animals toyed with a large bone, almost acting like dogs, until one snatched it from the other, and the playful energy vanished. Without warning, they launched into a violent clash, throwing each other around the room with terrifying force – a stark reminder of the animals’ wild, primal roots.
- Read next: In photos: The dogs of Dogtown
Tania quickly stood up, bared her teeth and growled at them, asserting her alpha authority until they calmed down. It was a surreal moment, but revealed the pack-like bond she had created with the animals she loved so deeply.
This profound relationship between exotic pets and their owners lies at the heart of Clark’s new online photography project, “I have a few animals…”. Over the course of 2024, the 22-year-old travelled across the UK, documenting the lives of people who share their homes with unusual companions – pigs, snakes, iguanas, tarantulas – through a raw, stripped-back style. The result is an intimate glimpse into a mostly hidden world, as ethical grey areas and outside suspicion often leads exotic pet owners to live their lives in secrecy.
“For me, photography is a window into people’s lives,” Clark explains. “This project showcases the unique and bizarre connection these people have with their pets.”
Born in Buckinghamshire, Clark’s fascination with photography began early. He started experimenting with his dad’s camera before receiving one of his own for his 10th birthday. Following a degree in Marine and Natural History Photography at Falmouth University, Clark decided to turn his lens towards the subject of exotic pet ownership.
Initially, he was unsure of what to expect when visiting these homes and worried there would be evidence of neglect. Instead Clark witnessed “a new level of compassion for pet ownership”. Because of the complex care these animals require, their owners form unusually strong attachments with them – potentially more than those seen with conventional pets like dogs and cats, Clark observes. His work seeks to understand what drives someone to choose a high-maintenance, sometimes dangerous animal over a traditional companion.
“It’s a form of escapism,” Clark explains. “These people often had a struggle or something hard going on in their life. So, to have something exotic in their life was a form of luxury.”
From four curious rats darting across a worn leather sofa, to a marmoset monkey perched atop a taxidermy alligator, Clark captures the surreal domestication of these wild creatures. One particularly striking portrait features Dave and his black and white tegu, a large lizard native to South America. Snuggled together on a sofa, the tegu’s striped tail neatly uncurls down to the floor, its head resting below a pillow embroidered with a gold crown. Dave, in a relaxed foetal position, cradles the reptile gently in his arms, in a powerful display of trust.
After a motorbike accident, Dave was unable to work and began rescuing neglected exotic animals, rehabilitating them in his council house in Redruth, Cornwall. With multiple reptiles to care for, his home – shared with his three young daughters – is filled with glass tanks and the constant chirping of crickets.
“He was so welcoming. But it was a crazy house, animals everywhere,” Clark says.
Seeing the devotion these owners had for their animals only made the ethical dilemmas harder for Clark to untangle. While it’s clear that many of the owners share powerful bonds with their pets, the realities of caring for such animals often raise uncomfortable questions.
Take Tania’s wolves, for example. Because of their highly territorial nature, they can only be walked in the early hours of the morning, when the streets are empty. The rest of the time, they’re confined to her small council house – a space never meant to hold something so fierce.
“There’s definitely an ethical issue,” Clark admits. “But there was more love for those animals than I’ve seen in any other home.”
For more of “I have a few animals…” and other photography by Jonty Clark, visit his official website.
Hannah Bentley is a freelance journalist. Follow her on Instagram.
Buy your copy of Huck 81 here.
Enjoyed this article? Follow Huck on Instagram and sign up to our newsletter for more from the cutting edge of sport, music and counterculture.
Support stories like this by becoming a member of Club Huck.
You might like
Vintage photos of dogs to warm your chilly bones
GOOD, PURE BOYS — Shirley Baker’s shots, taken between 1961 and 1978, depict the relationship between loyal pooches and their human owners during a series of British dog shows.
Written by: Huck
The rebellious roots of Cornwall’s surfing scene
100 years of waveriding — Despite past attempts to ban the sport from beaches, surfers have remained as integral, conservationist presences in England’s southwestern tip. A new exhibition in Falmouth traces its long history in the area.
Written by: Ella Glossop
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck