Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Capturing a forgotten township in South Africa

Static dreams — Photographers Cyprien Clément-Delmas and Lindokuhle Sobekwa remember documenting a deeply conservative community living in the suburb of Daleside, south of Johannesburg – a place marred by hardship and addiction.

Growing up in Thokoza, a township southeast of Johannesburg, South Africa, Magnum Photos member Lindokuhle Sobekwa was raised to respect the collectivist spirit of Ubuntu. “I am because we are,” he says.  

Like most families in the township, Sobekwa’s parents spent most of their time at work. After his father, a carpenter, passed away, his mother was charged to support four children on her own. She worked in the nearby Afrikaner township of Daleside as a sleep-in domestic worker for a family who forbid her children to enter their home at any time.

The feeling of being denied, combined with a sense of curiosity, stayed with Sobekwa, and would come to shape his destiny. In 2012, at the age of 16, he was invited to participate in the Of Joy and Soul Project – a long-term art initiative funded by the French art foundation Rubis Mécénat. 

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat

French photographer Cyprien Clément-Delmas and Magnum Photos member Bieke Depoorter launched a photography workshop that Sobekwa joined. “Lindokuhle quickly stood out. We started to spend time together in the township taking pictures,” Clément-Delmas says. 

“One day, Lindokuhle told me about Daleside: ‘There is an Afrikaner neighbourhood not too far, we should go there to investigate.’ We drove there and became fascinated by the place: the atmosphere, the people, the colours, and the stories they were telling us.”

From this exploratory visit, a four-year project was born, documenting what remained of the decaying town of Daleside. The book, entitled Daleside: Static Dreams (Gost), brings together portraits of the township’s residents, a mixture of Black and white working-class families who live amid the eerie, desolate landscape.

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat

The first year was difficult for us to photograph the community,” Sobekwa says. “Most people said no. Daleside is a very conservative community. Most people there are Christians, so we began attending church service and met a preacher who introduced us to the congregation. That helped the community not to view us as a threat. The community started warming up to us and allowing us in their homes.”

But without the presence of Clément-Delmas, Sobekwa felt the energies of racism; he was mistaken for a criminal when he came to Daleside to photograph alone. 

“The population in Daleside, like in so many other communities in the world: it suffers from a lack of education and opportunity. Alcohol and drugs fill the void for some; religion for others. Violence and abuse cause more violence and abuse. Often, these cycles of abuse last for generations,” Clément-Delmas says.

“The lack of resources and work puts the society of Daleside under an inevitable collective tension. Daleside is one of the rare places in South Africa where the Black working class and the white working-class are equally poor.” 

“That made me realise that social inequalities are what deeply divides a society. Social justice is what we really have to fight for, here and everywhere.”

Mangu who works as a gardener and lives in Daleside, a once affluent Afrikaner community in the South of Johannesburg. Daleside, Johannesburg, South Africa, 2016 © Lindokuhle Sobekwa / Magnum Photos courtesy the artist and Rubis Mécénat

Midday, midweek, outside the local bottle store in Daleside. Daleside, Johannesburg, South Africa, 2019 © Lindokuhle Sobekwa / Magnum Photos courtesy the artist and Rubis Mécénat

Farm workers with their boss’s child in a local supermarket, Daleside, Johannesburg, South Africa, 2019 © Lindokuhle Sobekwa / Magnum Photos courtesy the artist and Rubis Mécénat

Cyprien Clément-Delmas and Lindokuhle Sobekwa’s Daleside: Static Dreams is out now on GOST Books in collaboration with Rubis Mécénat, RRP £40.

Follow Miss Rosen on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter


You might like

© Mads Nissen
Activism

A stark, confronting window into the global cocaine trade

Sangre Blanca — Mads Nissen’s new book is a close-up look at various stages of the drug’s journey, from production to consumption, and the violence that follows wherever it goes.

Written by: Isaac Muk

© Jenna Selby
Sport

“Like skating an amphitheatre”: 50 years of the South Bank skatepark, in photos

Skate 50 — A new exhibition celebrates half a century of British skateboarding’s spiritual centre. Noah Petersons traces the Undercroft’s history and enduring presence as one of the world’s most iconic spots.

Written by: Noah Petersons

Huck 83: Life Is A Journey Issue

“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams

Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.

Written by: Josh Jones

Culture

Free-spirited, otherworldly portraits of Mexico City’s queer youth

Birds — Pieter Henket’s new collaborative photobook creates a stage for CDMX’s LGBTQ+ community to express themselves without limitations, styling themselves with wild outfits that subvert gender and tradition.

Written by: Isaac Muk

Culture

The suave style and subtle codes of gay San Francisco in the ’70s

Seminal Works — Hal Fischer’s new photobook explores the photographer’s archive, in which he documented the street fashion and culture of the city post-Gay Liberation, and pre-AIDS pandemic.

Written by: Miss Rosen

Culture

The stripped, DIY experimentalism of SHOOT zine

Zine Scene — Conceived by photographer Paul Mpagi Sepuya in the ’00s, the publication’s photos injected vulnerability into gay portraiture, and provided a window into the characters of the Brooklyn arts scene. A new photobook collates work made across its seven issues.

Written by: Miss Rosen

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.