Capturing a forgotten township in South Africa
- Text by Miss Rosen
- Photography by Lindokuhle Sobekwa

Growing up in Thokoza, a township southeast of Johannesburg, South Africa, Magnum Photos member Lindokuhle Sobekwa was raised to respect the collectivist spirit of Ubuntu. “I am because we are,” he says.
Like most families in the township, Sobekwa’s parents spent most of their time at work. After his father, a carpenter, passed away, his mother was charged to support four children on her own. She worked in the nearby Afrikaner township of Daleside as a sleep-in domestic worker for a family who forbid her children to enter their home at any time.
The feeling of being denied, combined with a sense of curiosity, stayed with Sobekwa, and would come to shape his destiny. In 2012, at the age of 16, he was invited to participate in the Of Joy and Soul Project – a long-term art initiative funded by the French art foundation Rubis Mécénat.

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat
French photographer Cyprien Clément-Delmas and Magnum Photos member Bieke Depoorter launched a photography workshop that Sobekwa joined. “Lindokuhle quickly stood out. We started to spend time together in the township taking pictures,” Clément-Delmas says.
“One day, Lindokuhle told me about Daleside: ‘There is an Afrikaner neighbourhood not too far, we should go there to investigate.’ We drove there and became fascinated by the place: the atmosphere, the people, the colours, and the stories they were telling us.”
From this exploratory visit, a four-year project was born, documenting what remained of the decaying town of Daleside. The book, entitled Daleside: Static Dreams (Gost), brings together portraits of the township’s residents, a mixture of Black and white working-class families who live amid the eerie, desolate landscape.

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat

Untitled from ‘Daleside Static Dreams’ © Cyprien Clément-Delmas courtesy the artist and Rubis Mécénat
“The first year was difficult for us to photograph the community,” Sobekwa says. “Most people said no. Daleside is a very conservative community. Most people there are Christians, so we began attending church service and met a preacher who introduced us to the congregation. That helped the community not to view us as a threat. The community started warming up to us and allowing us in their homes.”
But without the presence of Clément-Delmas, Sobekwa felt the energies of racism; he was mistaken for a criminal when he came to Daleside to photograph alone.
“The population in Daleside, like in so many other communities in the world: it suffers from a lack of education and opportunity. Alcohol and drugs fill the void for some; religion for others. Violence and abuse cause more violence and abuse. Often, these cycles of abuse last for generations,” Clément-Delmas says.
“The lack of resources and work puts the society of Daleside under an inevitable collective tension. Daleside is one of the rare places in South Africa where the Black working class and the white working-class are equally poor.”
“That made me realise that social inequalities are what deeply divides a society. Social justice is what we really have to fight for, here and everywhere.”

Mangu who works as a gardener and lives in Daleside, a once affluent Afrikaner community in the South of Johannesburg. Daleside, Johannesburg, South Africa, 2016 © Lindokuhle Sobekwa / Magnum Photos courtesy the artist and Rubis Mécénat

Midday, midweek, outside the local bottle store in Daleside. Daleside, Johannesburg, South Africa, 2019 © Lindokuhle Sobekwa / Magnum Photos courtesy the artist and Rubis Mécénat

Farm workers with their boss’s child in a local supermarket, Daleside, Johannesburg, South Africa, 2019 © Lindokuhle Sobekwa / Magnum Photos courtesy the artist and Rubis Mécénat
Cyprien Clément-Delmas and Lindokuhle Sobekwa’s Daleside: Static Dreams is out now on GOST Books in collaboration with Rubis Mécénat, RRP £40.
Follow Miss Rosen on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like

The fun, flares and frenzy on ‘Gallagher Hill’ when Oasis came home
Unmistakably Northern — With tickets for the Manchester Britpop legends’ reunion tour being difficult and expensive to secure, thousands of fans gathered on a hill in Heaton Park to catch a glimpse regardless. Now, its party atmosphere is immortalised in photographer Gabriel Purcell’s new zine.
Written by: Isaac Muk

In photos: Bin jousting, happiness and wholesome humour at Bloodstock 2025
Derbyshire doom — At first glance, the UK’s heaviest metal festival may not seem like a particularly warm affair. But metalheads are some of the nicest music fans in the country, and Chris Bethell was there to capture the fun and funnies of the weekend.
Written by: Isaac Muk

“Humanity’s big threat is our disconnect from nature”: Craig Richards and Chris Levine in conversation
Lighting up — With Houghton Festival collaborating with artist Chris Levine in its most recent edition, we sat down with the light artist and the festival’s creative director Craig Richards to chat about their new installations, and the role of art and music in tumultuous times.
Written by: Isaac Muk

Three heart wrenching poems from Gaza
Writings that narrate — With Gaza’s population facing starvation, we are handing over our website to Yahya Alhamarna, a displaced poet and student in Gaza, who shares some of his recent poetry, and explains why writing is so important to him.
Written by: Yahya Alhamarna

Throwback portraits of the UK’s first punks
Punks 1978-1980 — While working as a photographer in the army, Wayne “Spike” Large would moonlight as a punk on the weekends. His new photobook revisits the characters that he captured from the genre’s heyday.
Written by: Miss Rosen

Meet Lady Pink, the ‘First Lady’ of graffiti
Miss Subway NYC — As a leading writer and artist in a man’s world, Sandra Fabara has long been a trailblazer for girls in underground art. Now, her new show touches on her legacy, while looking to the future.
Written by: Isaac Muk