Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Clayton Patterson raises the ghosts of the Lower East Side’s anarchic past

Outlaw art — Patterson’s Outside In retrospective at Howl Arts bridges back to the grassroots creativity of pre-gentrification NYC.

Artist Clayton Patterson forms a connection between today’s sanitised Lower East Side and its grittier, anarchic past when some of New York’s most iconic artists, such as The Velvet Underground, William S. Burroughs and Madonna, rubbed shoulders with junkies, gang members and corrupt cops.

When Clayton and his partner Elsa Rensaa arrived from western Canada 1979, they experienced a sensory overload and set about documenting the area’s unparalleled conflict and creativity.

Over the following decades, Clayton went on to not only document life on the LES, but actively contribute to it, building bridges to maintain and disseminate culture, highlighting the grassroots creativity overlooked by the art establishment through his gallery, and standing together with the community to protect the neighbourhood’s alternative – often misunderstood – way of life.

“I first met Clayton in 1988 during the Tompkins Square riot,” explains artist Ai Weiwei, whose shot of Clayton with ‘Dump Koch’ written on his hands for a court date was his first picture published in the New York Times. “His work is concerned with the truth, with facts. He has relentlessly devoted himself to a kind of culture that examines authority. He has devoted himself to recording what is really going on, to giving his true account.” A genuine outlaw artist, Clayton’s work is not for the consumption of the rich or the elite, but for people from the block who mainstream society often deems transgressive. “I really like his style,” continues Weiwei. “His style is like no-style. I should say it is antistyle.”

Clayton’s role as an activist, photographer, filmmaker, local historian and curator sometimes overshadow his prolific output as an artist, but his new retrospective Outside In at Howl Arts lets his work take centre stage – alongside paintings by his co-conspirator, Elsa.

Clayton Patterson: Outside In – featuring paintings by Elsa Rensaa is at Howl Arts, NYC, through August 14.


You might like

Activism

The last days of St Agnes Place, London’s longest ever running squat

Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.

Written by: Isaac Muk

Outsiders Project

As salmon farming booms, Icelanders size up an existential threat

Seyðisfjörður — The industry has seen huge growth in recent years, with millions of fish being farmed in the Atlantic Ocean. But who benefits from its commercial success, and what does it mean for the ocean? Phil Young ventures to the remote country to find out.

Written by: Phil Young

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Activism

Activists hack London billboards to call out big tech harm

Tax Big Tech: With UK youth mental health services under strain, guerrilla billboards across the capital accuse social media companies of profiting from a growing crisis.

Written by: Ella Glossop

Huck 83: Life Is A Journey Issue

Wu-Tang Clan forever, and ever

The Final Chamber — RZA, the spiritual leader of one of the most important hip hop groups of all time explains why they won’t rest until their legacy is secured.

Written by: Yoh Phillips

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.