Young Londoners shoot the issues that matter to them
- Text by Niall Flynn
- Photography by Rachel Velastegui (main image)
As a teenager, it’s difficult to be taken seriously. Despite your best efforts, people are quick to write you off as naive and uninformed. “Ah, what do they know? They’re just kids.”
It’s suitably frustrating – especially when the decisions that impact your generation the most feel forever out of your hands (see: Brexit, US gun laws, pretty much everything in the world ever). Much of the time, it feels like no one is asking what young people think.
Which is why Common Ground – a new exhibition comprised of photographers aged between 16 – 19 years old – feels, in today’s world, particularly apt. Housed at London’s Autograph gallery until 20 November, 2018, it showcases young photographers responding to the current socio-political climate, as they see it.

© Erica Da Silva
The exhibition tackles a range of subjects, all of which are particularly pertinent to a younger demographic. For instance, photographer Chantae Henry explores how the housing crisis and rising cost of limit has resulted in the rise of young people hopping from sofa to sofa.
“The homelessness we see on the streets is only the tip of the iceberg. Couch surfing hides homelessness,” she explains. “Taking a more conceptual, less obvious approach, my work aims to dispel the myth that there is anything fun or simple about living a life of couch surfing. It’s not a sleepover if you cannot go home.”

© Chantae Henry
Elsewhere, Courtney Jelley’s work depicts her own relationship with both disability and identity. “My identity and what I would call a safe place have been ripped away from me,” she says. “For me, my home was embedded within Irish dancing. However, that was torn away from me when my disability, a medical condition called Ehlers Danlos Syndrome, started taking over my everyday life. My work represents the emotion I felt being unable to dance.”
By giving young people the platform to spotlight the issues that matter to them, Common Ground seeks to readdress the balance. For the artists – all of whom worked with Autograph and University of the Arts London on their Album programme – it’s an opportunity to be heard.

© Courtney Jelley

© Toby Wright

© Trey Robinson

© Hayleth Dawkins

© Celina Priebe

© Farihah Chowdhury

© Rihaz Uddin

© Sara Fathi
Common Ground is showing at London’s Autograph gallery from 14 – 20 November, 2018.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Palestine Action ban ruling set for Supreme Court appeal
Final stand — Founder Huda Ammori has won permission to challenge the Court of Appeal’s verdict, which upheld the group’s proscription as a ‘terror organisation’.
Written by: Ella Glossop
The art of paying attention: How Austria’s Alps reward slowing down
Lebensgefühl — With a growing movement of art and music rooted in the area’s mountains, trees and waterfalls, the region is showcasing the importance of the human relationship to nature.
Written by: Sophie Lou Wilson
Grainy, yearning memories of Europe’s ’90s free rave heyday
Never Alone — A new photobook from Cheyenne Clementi and Valentina Morandi presents pictures they made over seven years while touring the continent as part of the Tekno Mobil Squad soundsystem crew. It archives parties, people and a lifestyle largely consigned to the past.
Written by: Isaac Muk
Queer resistance & sun-soaked solidarity at the world’s largest trans pride march
Our Future, Our Fight — Over the weekend, over 150,000 people marched at the London Trans+ Pride, with the parade ending at Trafalgar Square for the first time in history.
Written by: Ella Glossop
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
London’s largest indoor skatepark to be demolished for padel courts
Better Extreme — The Barking skatepark’s fate follows that of similar indoor spaces in recent years, with operators GLL citing falling visitor numbers as the reason behind the decision.
Written by: Isaac Muk