Courtney Barnett found her stride by letting go of insecurity
- Text by Alex Robert Ross
This time last year, Australian singer-songwriter Courtney Barnett’s music had already blown through the Internet on a cloud of smoke. On the back of debut singles ‘Avant Gardner’ and ‘History Eraser’ and the critical acclaim that they’d drawn, Barnett was touring the world with her band and had a full length LP in the works. It was then that we took her out to look at cool shirts in a Brighton thrift store, shortly after her show at The Great Escape 2014.
Since then, Barnett has released Sometimes I Sit And Think, And Sometimes I Just Sit, a rambling, stream-of-conscious record on which she refines almost to perfection her knack for the beautiful mundane. It’s also a record with a defiant edge that touring had already brought out last summer:
“I used to be so self-conscious about what people thought,” she shares in this short video, “and then you start realising that it doesn’t matter. I don’t really care what people think that much.”
Things I Learned Along The Way is a film series that accompanies Huck’s Fiftieth Special – a compendium of personal stories about the lessons life throws us when we’re busy doing what we love.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
Confronting America’s history of violence against student protest
Through A Mirror, Darkly — In May 1970, two separate massacres at American college campuses saw deaths at the hands of the state. Naeem Mohaiemen’s new three-channel film memorialises the brutality.
Written by: Miss Rosen
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez