Turning the media’s most disturbing images into art
- Text by HUCK HQ
- Illustrations by Craig Boagey
There’s something deeply sinister about Craig Boagey’s drawings. The British artist, who specialises in hyperrealistic, pencil-drawn art, aims to recreate the most confrontational images he comes across in everyday media. This includes – amongst other things – blurred pornography, school shootings, and war-torn cityscapes.
Central Saint Martins graduate Boagey switches between red pencil (for images of a more sexual nature) and blue (for those that are more tragic and violent). Each drawing takes between three days to three weeks to complete. “The blue ones are always more difficult because the subject matter is a lot more significant,” he tells Huck. “I like to juxtapose things, so when you have these very delicate and difficult subjects the blue sort of makes them calming in a way – it takes away the intensity.”
These haunting images have now been pulled together for Recital – a new book published by independent, Dalston-based publisher Ditto.
“I’m not necessarily interested in current affairs, I don’t want to make drawings relating to today directly because it would kind of feel like protest art, and I don’t want that,” the artist explains. “The scenes I like to choose are moments in time which are just fascinating, and a lot of the time these incidents create a trend of other similar incidents. In that way, they become relevant to today without necessarily being stories of the moment.”
“I don’t want to shock directly that would be too forced. I want it to be subtle, that works best for me,” he adds. “There are exceptions but, in general, that’s my approach.”

Blue Lucifer, 2015

Red Drawing #5, 2016

Mahmoud Asgari and Ayaz Marhoni Hanging, 2016

Red Drawing #7, 2016

Viet Cong Prisoner, 2015

Red Drawing #1, 2015

Gaza, 2015
Recital is published on October 26th, by Ditto.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Venice Biennale will not award artists from Israel & Russia due to war crime accusations
Art Not Genocide — Both countries will still be allowed to exhibit work at their respective pavilions, but be excluded from judging considerations, as they have leaders facing arrest warrants issued by the International Criminal Court.
Written by: Noah Petersons
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Joe Bloom’s View From a Bridge
More stories, more human — The artist and creator of the vertical video generation’s most loved storytelling platform explains the process behind creating the show, and the importance of bucking trends.
Written by: Isaac Muk
When David Wojnarowicz became Arthur Rimbaud
Arthur Rimbaud in New York — In 1978, the American artist and his friends donned masks to pay tribute to the French poet, who was born a century before him. Miss Rosen traces the differing yet parallel lives of the queer revolutionaries.
Written by: Miss Rosen
Inside Bombay Beach, California’s ‘Rotting Riviera’
Man-made decay — The Salton Sea was created by accident after a failed attempt to divert the Colorado River in the early 20th century. Jack Burke reports from its post-apocalyptic shores, where DIY art and ecological collapse meet.
Written by: Jack Burke
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen