The activist movement protecting Hawaii from a corporate takeover

Poisoned paradise — Surfer and filmmaker Cyrus Sutton turns his lens to the Hawaiians fighting for their sustainable way of life in the face of mass-industrialisation. Ahead of its UK premiere at the London Surf / Film Festival, he opens up about its grassroots momentum.

Cyrus Sutton is all about taking basic necessities into our own hands.

It could be building a van from scratch, living a surfer’s DIY dream or making films that epitomises independence.

His latest documentary Island Earth follows Hawaiian activists fighting off powerful agricultural companies in the name of self-sufficiency.

With the islands becoming a testbed for GMO research, Island Earth follows a young indigenous scientist’s search for truth in the face of an intimidating industry.

Island Earth has its UK Premiere at the London Surf / Film Festival on Tuesday 24 October at Huck’s 71a Gallery. Tickets are available here.

We caught up with Cyrus to find out why this is a story worth telling.

The film is quite a different direction from your previous features. What motivated you to tell this story?
Growing up among Southern California’s endless strip malls, trips to Hawaii symbolised what the world could be: lush, fragrant and vital. Beyond the beautiful surf was a culture that taught me a different definition of wealth, where clean water and verdant landscapes held everything that we needed to thrive.

A few years ago, I heard that this paradise was being poisoned by chemical companies testing their GMO crops. Perplexed by the lack of the media coverage and the misleading information, I decided to do something.

Native Hawaiian scientist Cliff Kapono.

Native Hawaiian scientist Cliff Kapono.

How did you find the right characters to tell this story?
From spending time in Hawaii, I just met people who were active in the issue and got referrals from them and that lead me down a path of talking with local people and finding out who was actively involved in the issues covered in the film.

There are so many complex themes and issues here. How did you approach weaving them all together?
I would go and shoot and make edits and show it to friends who work in the documentary film worlds in LA and NYC, then get feedback from them and go reshoot. I also had a team of researchers helping me to understand the underlying issues of capitalism, colonialism, food security and agriculture. It was a collaborative effort and it took a lot of drafts – 67 in total.

What was the highlight of that whole process and what were the biggest challenges?
High Point: Participating at some of the cultural gatherings in Hawaii with local people who I’ve never had access to as a travelling surfer. Being invited into traditional Hawaii and getting to go around and hang out at farms and seeing people doing incredibly creative and practical forms of growing delicious food.
Low Point: Months and months of feeling like I couldn’t tie the narrative together. It’s really hard to tell a complex story of science, human health, and politics when I’m not a doctor, scientist or lawyer.

Press-kit-9--protester
Is it difficult to allow viewers make up their own minds when producing a film on a topic you feel so passionate about?
I really tried to not take sides and genuinely keep my mind open. There were sometimes when I questioned my anger or my mistrust of the chemical companies. But I think I allowed myself to organically go through the process and look back after years of research and reflect on that. I hope the film carries that spirit of curiosity.

Island Earth has its UK Premiere at the London Surf / Film Festival on Tuesday 24 October at Huck’s 71a Gallery. Get your tickets here.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Neon-lit studio with two people in red shirts working on an unidentified task.
Youth Culture

Inside Kashmir’s growing youth tattoo movement

Catharsis in ink — Despite being forbidden under Islam, a wave of tattoo shops are springing up in India-administered Kashmir. Saqib Mugloo spoke to those on both ends of the needle.

Written by: Saqib Mugloo

Two individuals, a woman with long brown hair and a man with dark skin, standing close together against a plain white background.
Sport

The forgotten women’s football film banned in Brazil

Onda Nova — With cross-dressing footballers, lesbian sex and the dawn of women’s football, the cult movie was first released in 1983, before being censored by the country’s military dictatorship. Now restored and re-released, it’s being shown in London at this year’s BFI Flare film festival.

Written by: Jake Hall

Group of young men with graffiti-covered wall behind them.
© David Corio
Music

In the dressing room with the 20th century’s greatest musicians

Backstage 1977-2000 — As a photographer for NME, David Corio spent two decades lounging behind the scenes with the world’s biggest music stars. A new photobook revisits his archive of candid portraits.

Written by: Miss Rosen

Two surfers riding waves in the ocean, with spray and ocean in the background.
© Maria Riley
Sport

In Queens, local surfers are moulding a neighbourhood in their own renegade images

Rockaway breaks — On a little-known stretch of beach in eastern New York City, an ecosystem of wave catchers, and the local bars and restaurants that fuel them, is seeing a boom. Paolo Bicchieri meets the residents and business owners behind the growing swell.

Written by: Paolo Bicchieri

Graffitied urban wall with three individuals dressed in street wear, one holding a spray can.
Activism

Kneecap describe atrocities in Gaza as “medieval type slaughter” after breaking of ceasefire

Saoirse Don Phalaistín — The Irish rap trio took to X yesterday to criticise the “US-backed” Israeli authorities.

Written by: Isaac Muk

A black and white photograph of a young boy standing on a swing set, with a rugged, dilapidated background.
Activism

Capturing joy and resilience in Istanbul through tumultuous times

Flowers in Concrete — As protests break out across Istanbul, photographer Sıla Yalazan reflects on the 2013 Gezi Park movement, and capturing beauty as the city has undergone economic change and political tension.

Written by: Isaac Muk

Signup to our newsletter

Sign up to stay informed from the cutting edge of sport, music and counterculture, with personal takes on the state of media and pop culture in your inbox every month from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.