Daredevil Danny MacAskill on conquering his fear of the unknown

  • Text by Alex King
Laughing in the face of danger — Gravity-defying biker Danny MacAskill talks about his latest jaw-dropping edit, Wee Day Out.

Danny MacAskill has built a career from hurling himself into situations that would make most humans recoil in horror – such as his effortless ride along the treacherous Cuillin Ridgeline on his native Isle of Skye, with a 992-metre drop beneath.

But it’s more than his ability to cheat gravity and laugh in the face of danger that has seen the Scots bike ace become a household name.

Danny’s rare combination of immense technical skill, creativity and humour have seen his eye-popping videos clock up hundreds of millions of views on YouTube.

P-20161010-00763_News

In his latest film Wee Day Out, Danny sets out on a rip-roaring adventure through the glorious Scottish countryside, nodding his head to the slapstick humour of the Vicar of Dibley along the way.

In typical fashion, he manages to raise the bar for two-wheeled inventiveness, laying down tricks previously unimaginable on a mountain bike, such as a scrub to barrel roll, a submerged water crossing and a hay bale ride.

P-20161010-00767_News

Huck: What was the inspiration behind your latest film?
Danny MacAskill: Rather than just upping the riding level each time, I try to come up with a concept that allows me to go in a different direction. For the Wee Day Out, I really wanted to do another film on the mountain bike and push the technical difficulty, compared with what I’ve done on the mountain bike in the past.

It made sense to film in the Scottish countryside again, because it’s on my doorstep. This concept gave me a lot of creative freedom to do some things you wouldn’t get away with if it you tried to do it with a serious tone.

At the start, I jotted down some trick ideas on my notepad and then we started scouring the countryside. One of the biggest challenges was finding the right locations and we spent over five weeks searching for places to make these very specific, fun and quirky ideas work.

P-20161010-00753_News

How have you learned to manage your fear?
The riding here was more on the technical side, compared with the last couple of clips which involved a lot more heights. Riding at height has become quite easy, so you get good bang for your buck, if you like. I’m not scared of heights so I can quite comfortably ride along a wall, it makes no difference if it’s 10 feet off the ground or 10,00 feet, I know I can easily stay up there.

There was some fear-inducing stuff in this film, like the final banger, gapping to this rail on the railway bridge. When fear does come in, it’s fear of the unknown. When you don’t know what a landing’s going to feel like, that’s when your brain tends to come up with all sorts of different outcomes, various crashes and things like that.

The biggest thing that gives you confidence is practice. If you can build up to something before you take it all the way, that definitely helps. But often in my films, I’m coming up with tricks that you’ve tried before or never seen anybody else try before. So you’re really unsure of what the outcome’s going to be. I use a few different techniques to get myself over the fear of them.

Positively visualising what you’re going to do on your bike in real time is a big part of it. Sometimes I motivate myself by thinking how disappointed I’d be with myself the next day if I didn’t go for it, even if you do crash at the bottom. Sometimes it’s good to walk away from things if you’re really not feeling it, but if the conditions are right it’s usually worth giving it a go because the regret the next day is hard to take.

P-20161010-00773_News

What’s your inspiration for the little visual jokes you put into each film? Do you watch any classic slapstick comedy, for example?
The theme gave us a lot of the ideas and from the beginning we wanted to add a bit of humour. One of the programmes that came to mind was Last of the Summer Wine. In the puddle scene there was definitely some inspiration from The Vicar of Dibley, where she jumps into a puddle to get away from somebody. It had that funny countryside humour.

I’m always conscious of trying to get some kind of emotion from the viewer. I want to give them a little bit more than just good riding, whether that’s making them scared because you’re riding along the edge of a cliff or giving them some good laughs.

To find out more about Danny MacAskill and Wee Day Out, go to www.redbull.com

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.