Is dancehall music misogynist? A female DJ explores sexism in the carnival sound

In defence of slackness — As dancehall DJ Why Delila, Siobhan Jones brings her beloved party music to the masses of East London. Here, she muses on how gender, race and sexuality simmer on the surface of summer’s carnival sound.

It sounds clichéd, but I love the way dancehall makes me feel – that’s what drew me to it and I never turned back. I find it impossible to keep still when I listen to dancehall. I love the riddims, how clever the DJ’s lyrics are, the culture, the dances, the clashes, the sound systems – I can go on forever! Dancehall is one of the most prolific genres out there so it’s impossible to keep on top of what’s coming out – which is great. You are always finding out about new tracks, discovering old tracks from years back, finding old sound tapes.

I have been welcomed with open arms from everyone I’ve met in dancehall. Even though it may seem from the outside that the scene is predominantly black and male, this isn’t strictly true. Yes, the origins of dancehall are in Jamaica, but I find myself around people of all cultures, male and female, working in and enjoying this scene (just check out Japanese dancehall!). I am very aware of my demographic at times, but reggae and dancehall are actually very welcoming types of music.

Dancehall lyrics cover a whole variety of topics and one of these topics is known as ‘slackness’, which essentially refers to DJs chatting sexually explicit lyrics. DJs, both male and female, like Vybz Kartel, Aidonia, Tanya Stephens and Lady Saw, will talk about what they would like to do to someone they fancy, referring to sexual acts, positions and parts of the body which they want to involve. Primarily, it is men chatting these lyrics (but that could be because most DJs are male rather than anything sexist), so they can be interpreted by people outside of the dancehall culture as offensive towards women – but I don’t personally take this stance.

The dancehall itself can be thought of as a space of liberation for women who, in other areas of society, may not be celebrated as they should because they do not fit into the typical Euro-centric body type. Professor of Literary and Cultural Studies at the University of West Indies Carolyn Cooper has written extensively on slackness and she sates that, “Women are saying, ‘We are beautiful and we’re just celebrating who we are,’ and male DJs are singing songs like, ‘It’s not your cute face, it’s the shape that you have,’ suggesting an alternative body ideal to the anorexic body type.” Rarely will you find a dancehall track accusing a woman of being a ‘whore’ (and such like) for expressing their sexuality, which is often found in other genres of music. So no, I feel that in most cases, these types of lyrics are not offensive to women. But I suppose it depends on what woman you are singing these songs to and how they want to take it.

As for homophobia in dancehall? I do not agree with homophobic lyrics and do not play any songs that contain them. Through my own experience in the dancehall community in the UK, I’ve never witnessed any homophobic actions or heard any homophobic remarks from people in the audience. I have gay friends who love and play dancehall. I don’t feel that I can comment on what happens in different communities, such as the Jamaican dancehall scene, seeing as I have no direct, personal experience of it.

Daggering was a bit of a hot topic a few years ago and it gets picked up again by some media [with the former Deputy Children’s Commissioner Sue Berelowitz making negative comments about its overtly sexual nature]. As far as I’m concerned, it’s just a dance move that people perform mostly when listening to dancehall. To someone watching daggering it can appear pretty aggressive, especially for the woman. Concerns have been raised about women being passive in this, but 99 per cent of the time the woman is consenting and actively encouraging it. If people watch other dancehall moves, they will see that some are explicit in this way and some aren’t – it’s just a form of expression. Is it dangerous for young girls? I think young girls have a lot more dangerous things than daggering to worry about.


Ad

Latest on Huck

Red shop frontage with "Open Out" branding and appointment-only signage.
Activism

Meet the trans-led hairdressers providing London with gender-affirming trims

Open Out — Since being founded in 2011, the Hoxton salon has become a crucial space the city’s LGBTQ+ community. Hannah Bentley caught up with co-founder Greygory Vass to hear about its growth, breaking down barbering binaries, and the recent Supreme Court ruling.

Written by: Hannah Bentley

Cyclists racing past Palestinian flag, yellow barriers, and spectators.
Sport

Gazan amputees secure Para-Cycling World Championships qualification

Gaza Sunbirds — Alaa al-Dali and Mohamed Asfour earned Palestine’s first-ever top-20 finish at the Para-Cycling World Cup in Belgium over the weekend.

Written by: Isaac Muk

Crowded festival site with tents, stalls and an illuminated red double-decker bus. Groups of people, including children, milling about on the muddy ground.
© Alan Tash Lodge
Music

New documentary revisits the radical history of UK free rave culture

Free Party: A Folk History — Directed by Aaron Trinder, it features first-hand stories from key crews including DiY, Spiral Tribe, Bedlam and Circus Warp, with public streaming available from May 30.

Written by: Isaac Muk

Weathered wooden building with a tall spire, person on horseback in foreground.
Culture

Rahim Fortune’s dreamlike vision of the Black American South

Reflections — In the Texas native’s debut solo show, he weaves familial history and documentary photography to challenge the region’s visual tropes.

Written by: Miss Rosen

A collage depicting a giant flup for mankind, with an image of the Earth surrounded by planets and people in sci-fi costumes.
Culture

Why Katy Perry’s space flight was one giant flop for mankind

Galactic girlbossing — In a widely-panned, 11-minute trip to the edge of the earth’s atmosphere, the ‘Women’s World’ singer joined an all-female space crew in an expensive vanity advert for Jeff Bezos’ Blue Origin. Newsletter columnist Emma Garland explains its apocalypse indicating signs.

Written by: Emma Garland

Three orange book covers with the title "Foreign Fruit" against a dark background.
Culture

Katie Goh: “I want people to engage with the politics of oranges”

Foreign Fruit — In her new book, the Edinburgh-based writer traces her personal history through the citrus fruit’s global spread, from a village in China to Californian groves. Angela Hui caught up with her to find out more.

Written by: Katie Goh

Huck is supported by our readers, subscribers and Club Huck members. It is also made possible by sponsorship from:

Signup to our newsletter

Sign up to our newsletter to informed with the cutting edge of sport, music and counterculture, featuring personal takes on the state of media and pop culture from Emma Garland, former Digital Editor of Huck, exclusive interviews, recommendations and more.

Please wait...

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.