How a dying musician created a visionary hip hop masterpiece
- Text by Gabriela Helfet
- Photography by Brian B+ Cross
If you have been inhabiting planet earth for any of the past 20 years, you’ll have heard the influence of James Yancey aka J Dilla – if not his music. Even if you have zero interest in hip hop, or sampling techniques, or audio production whatsoever, Dilla’s forward–thinking, prolific output as an artist and producer was so ahead of its time that it still continues to change the way music is created.
His Donuts LP is often regarded as the most important album of his career. As such, to pay fitting tribute to J Dilla on the anniversary of his untimely passing, Classic Album Sundays’ Colleen Murphy tapped Dilla super-aficionado, and head of music at Boiler Room, Raj Chaudhuri to deliver an inspiring talk on how the project came together.
The Donuts account is especially inspiring given the timeline of the album’s release: three days before Dilla’s death. Hospitalised and bed-ridden during his last few months, the fact that Dilla crafted a large part of Donuts from the discomfort of a medical gurney as his condition rapidly deteriorated, using just a portable turnable, MPC and sampler, is a testament to the Detroit master producer. Proving his passion for sound and insatiable desire to create and share his ideas, even his hands and limbs seizing up couldn’t stop Dilla from doing what he loved – right until the very end.
Chaudhuri didn’t just tell the story of the making of an album, its roots, its pioneering elements, and all the luminaries Dilla influenced during the course of his life. What followed was an impassioned, heartfelt exploration of a dying artist’s visionary spirit. Regardless of your feelings on his music, trust. J Dilla can’t fail to move you.
For more on Classic Album Sundays and future events worldwide, head here.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
The rise of anywhere and everywhere radio
Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.
Written by: Bella Koopman