What happened when Dizzee Rascal performed Boy in Da Corner last night
- Text by Gabriela Helfet
- Photography by Jordan Curtis Hughes // Steve Stills for Red Bull Music Academy
It’s equal parts exciting and scary when a musician you love decides to revisit an old album – and perform it in full.
Exciting because when it’s done right, it’s next level… Scary because when it’s done wrong, it has the potential to forever change the way you see that record.
In 2014, Mos Def brought his Black on Both Sides tour to London. The show was a godawful, hip hop train wreck – like watching a drunk relative embarrass themselves in front of everyone you’ve ever met in your life. (Most of the sold-out crowd left well before the show ended.) Two years later, it’s impossible to listen to the album in the same way, without having flashbacks of that night.
When Dizzee Rascal announced he’d be performing Boy in Da Corner in full, as part of the Red Bull Music Academy tour, the feeling of giddy ‘yassssssssssssss’ excitement was soon followed by sinking, Mos Def PTSD.
There are certain records that perfectly encapsulate a place, time and feeling. Boy in Da Corner is one of them. It’s 2003, punchy and bratty, quick-spitting grime, it’s being a teenager, thinking you’re big time but really you’re seventeen, thinking you dun kno when really you have no idea. But as Dizzee himself says, “When we ain’t kids no more, will it still be about what it is right now?”
How many records can you think of that you’d want to listen to the whole way through, every single song? OK, now rewind to 2003, how many of those records would you want to listen to the whole way through?
Please let this be good.
From the first notes of ‘Sitting Here’, it was like Dizzee turned on a light switch in the crowd. Wagwan was that the whole place lit up like an electrified, grime Christmas tree – a mood that continued to build the entire way through. Somehow Boy in Da Corner sounded even more fresh than when it first came out thirteen years ago. Dizzee’s flow razor-tight, whipping the audience into a frenzy with those beloved beats, every song building on the last. But it wasn’t just Dizzee’s performance that made the gig so special. It was the thousands of Londoners getting down in a way only they can.
??? #Dizzee you rascal #BoyInDaCorner #RBMAUKTour @DizzeeRascal pic.twitter.com/3tml1oXgrn
— Red Bull UK (@RedBullUK) October 22, 2016
Last night was more than a celebration of a record that is pretty close to perfect. A record that – for any music fan coming of age in the early 2000s, whether you were a hip hop head or an indie kid – probably defined your life. It was also a reminder that, through all the Brexit bullshit, the division and difficulties, the madness and hate that 2016 has brought, the London scene is, and forever will be, damn special.
It’s a Dizzee thing. It’s a London thing.
For more information on the 2016 RBMA tour and to find what’s happening near you, check out Red Bull Music Academy.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
American Football: The One With The Feelings
Many moons — The Midwest emo architects transformed a college experiment into a coming-of-age soundtrack. 25 years on, their latest iteration sees them bottle the same magic for the ups and downs of middle life.
Written by: Tracy Kawalik
London’s largest indoor skatepark to be demolished for padel courts
Better Extreme — The Barking skatepark’s fate follows that of similar indoor spaces in recent years, with operators GLL citing falling visitor numbers as the reason behind the decision.
Written by: Isaac Muk
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
Joe James: “I will never be absent in my children’s lives because I know it doesn’t feel nice”
Hard Feelings — As the silky MC prepares to release his debut album ‘The Ends Never Ends’, he joins our column on fatherhood and masculinity to discuss leaving his childhood home at 16, the manosphere and his risk-embracing approach to life.
Written by: Robert Kazandjian
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White