'Hyper-American' photos of life in rural Texas | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

'Hyper-American' photos of life in rural Texas

Edward Thompson's portraits of Texas Hill Country during the George W. Bush years are both timeless and deeply personal.

In the summer of 2003, Edward Thompson was just entering the third year as a photography student when he was invited to a family friend’s wedding. It was taking place on a picturesque ranch in the rural Texas Hill Country, and Thompson saw it as a chance to flex some of the skills that he had been learning over the past few years in his study.

“I was using my 1955 Super Ikonta camera – it’s literally the worst kit you could try and shoot a wedding with,” Thompson laughs. ​“It was absurd, but the film came back blank. It was a nightmare.”

On top of leaving a newly wedded bride and groom without photographs of their big day, Thompson also lost all the other pictures he had taken on the trip. He’d spent time journeying around the Central Texas area, having been ensnared by its scenic beauty and charming Americana. Spending most of his formative years in the UK, but also some very early time in the Southern States, he became engrossed in capturing the way of life, its people and, most presciently for him, its aesthetic.

“My dad was working in mines in Alabama and I was due to go over with my mum and be born there, but I was a few weeks premature,” Thompson explains. ​“For the first few years of my life I was a toddler in Alabama, so on some psycho-geographical level there’s a Southern vibe going on.”

He vowed to go back to Texas Hill Country after the blank film incident, and would return three years later to ​“attempt a photographic odyssey” – then again in 2007 to complete it. Now, two decades since that wedding, a number of Thompson’s pictures are presented in his self-published photobook When in the Lone Star State – a wide spanning exploration of local life during the George W. Bush years (Texas was then home to the former president’s second home, the ​‘Western Whitehouse’). 

“It’s unlike anything I’ve ever photographed,” he says. ​“If you think of America – Texas is like, they’ve got America and distilled it down in a pot. It’s this sort of weird, meta, hyper-America.”

Part of the attraction stemmed from a longstanding obsession with American cinema. ​“Everything was so completely different, but at the same time familiar to me,” he says. ​“The funny thing is I did try to dress a bit Texan, but it didn’t work out because I was shopping in Topman, so I looked a bit like Marty McFly in Back to the Future Part III when Dr. Brown dresses him up as a cowboy.”

The pictures are an examination of rural America, but also the particularities of Texas. There’s an only-in-USA biker church among the photographs, and patriotism is on full display – as is racism. One shot is taken inside a bedroom decorated with confederate flag sheets and a portrait of Robert E. Lee. Another features a pick-up truck covered in handmade signs reading: ​“ROME WAS DISTROYED [SIC] BY LIBERALS, ILLEGAL ALIENS, AND TERRORISTS” and ​“NO AMNESTY FOR ILLEGALS.”

“I saw people like Bob and his pick-up truck and thought ​‘all the other people I’m chatting to are pretty friendly, he must be the oddity…’,” Thompson says. ​“Then, fast forward, and Trump happens. It seemed for eight years that side of America had disappeared, but it turns out there’s fucking loads of it.”

While the photographs stand the test of time in terms of what they say about the US at large, they’re also deeply personal to Thompson. In 2007 he lost his father to cancer, while his mother struggled financially in the face of the global financial crisis. With shots of dead animals, abandoned buildings and a man drumming with a missing hand, the photographs project a sense of loss and longing. 

“I was going through some massive changes in my life. It was a recession, my dad had died. I had times in Texas where I was obviously depressed. I didn’t want to leave the ranch I was on,” says Thompson.

“I think back to my time as a younger photographer and it’s a hard thing to shirk,” he continues. ​“When you go outside doing documentary photography, it’s almost like the world mirrors your inner state.”

When in the Lone Star State by Edward Thompson is available from his official website.

Follow Isaac on Twitter.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.

You might like

Culture

Landmark new exhibition is celebrating 50 years of female punk

God Save the Queens – The Museum of Youth Culture is bringing together rare photography, archive material and a one-night-only supergroup featuring members of X-Ray Spex, The Slits and The Raincoats.

Written by: Ella Glossop

Culture

Halcyon, end of summer days in ’80s Massachusetts

Bell Pond — Stephen DiRado’s new photobook is a nostalgic look at blissed out moments of young love, family and coming of age at a swimming pond in Worcester, Massachusetts.

Written by: Miss Rosen

Bronx, New York City, NY. July 20th 1972. 
Members of the New York street gang Savage Skulls. The trademark of the, primarily Puerto Rican, gang was a sleeveless denim jacket with a skull and crossbones design on the back. Based around Fox Street, in the popular South Bronx neighborhood, the gang declared war on the drug dealers that operated in the area. Running battles were frequent with rival gangs Seven Immortals, and Savage Nomads.
Activism

Photographing America’s 20th century rebels

Rebels With a Cause — A new monograph looks back at Jean-Pierre Laffont’s extensive archive documenting counterculture, art, activism and more, shaping the country as it is today.

Written by: Isaac Muk

Culture

The groundbreaking photography of Gordon Parks

Voices in the Mirror — A new exhibition dives deep into the legendary lensman’s archive, who captured the Civil Rights Movement and Black America like no other.

Written by: Miss Rosen

© Melonie Bennett
Culture

A chaotic portrait of an ’80s American farming family

Holy Cow! — Melonie Bennett grew up on a farm in Maine in the ’80s, and documented her family’s idiosyncratic daily life. She presents those humorous, everyday memories in a new exhibition and photobook.

Written by: Miss Rosen

“It’s been hard Anthony. I’ve a photo of you three together, and it’s not being disrespectful for you, you’re on t’ end, and I bent it over because it upset me that much I couldn’t look at that photo. And it’s the only photo I’ve got of you. Even now the photograph does upset me because it brings back awful memories of what your dad did to us. I mean I’m not ashamed of the photo.
Culture

Nick Danziger’s striking vision of everyday British life in the ’90s

The British 1994-1999 — The renowned photojournalist returned to his birth country on the cusp of the Millennium, capturing its contradictions with humour and wit.

Written by: Miss Rosen

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.