Ewen Spencer Playlist
- Text by Shelley Jones
- Photography by Ewen Spencer
British subculture photographer Ewen Spencer naturally gravitated towards shooting garage and grime scenes after growing up a northern soul boy in Newcastle.
Here, the committed documentarian reveals his favourite tracks from his time spent with East London’s finest DJs and MCs.
“I’m not a huge listener to grime. It’s not for me really, is it? It is made by and for youth. However what drew me to grime was the new unlistenable sounds being created around East London and the energy and excitement it generated throughout the rest of the UK. It had a naive quality. There was no theory involved here. It was similar to punk rock in this way, your mate shows you three chords and you start a band.
Here are a few tracks from early grime sounds starting with Dizzee. Homemade tunes from Ruff Sqwad probably made on a home PC using Fruity Loops through to a “stone cold” garage anthem in Ramsey and Fenn’s ‘Love Bug’. Ten years of the British underground.”
Dizzee – I Luv U Remix (Instrumental)
Danny Weed – Creeper (Instrumental)
Ruff Sqwad – Pied Piper (Instrumental)
Mercston – Summer of Love (feat Scorcher)
Ramsey & Fen – Love Bug
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams
Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.
Written by: Josh Jones
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez