Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

At The Gates Of Europe playlist

Cultural icons with immigrant roots — As Europe much of works itself into a frenzy over immigration, we celebrate our favourite immigrant musicians and their amazing contributions to culture.

There’s a dark cloud that has been gathering over Europe for a while now. Groups like Germany’s PEGIDA, Golden Dawn in Greece and the United Kingdom Independence Party send out worrying messages about immigration and immigrants’ integration into society.

People worry their culture is being “attacked” by influences brought in from other parts of the world: the dreaded multiculturalism. But culture has always been a flexible notion and isn’t something that rigidly sticks to any solid definition. By embracing foreign concepts, a culture becomes richer, more intelligent and understanding.

European culture has benefitted from centuries of exchange with African and Asian culture – the origins of the people Carlos Spottorno captured trying to make their way into the EU in his remarkable ‘At the Gates of Europe’ visual essay in Huck 49 – The Survival Issue.

This playlists collects the musicians and artists who, without immigration to Europe, would never have had the opportunity to create their work, fuse diverse cultural influences and share their gifts with the world.

Dizzee Rascal

Born to a Nigerian father and Ghanaian mother, Dizzee Rascal was at the forefront of the grime scene of the early-to-mid noughties and has gone on to become one of its most easily recognisable voices. Born in Bow, east London, Dizzee’s first album, 2003’s Boy in da Corner, was the first indicator that British urban music was about to be completely overhauled by this new music that was, uniquely, British. Had his parents not made it to London, there’s an argument to suggest that grime would have had nowhere near the commercial selling power that it’s developed.

Dalida

France’s colonial history has linked it inexorably with North Africa. Dalida’s exact heritage is difficult to nail down as her parents were Italian, she was born in Egypt and gained French nationality through marriage. She moved to Paris in 1954 and this kicked started a singing career that included her recording in no less than seven different languages. Her popularity was enormous both in France and in Arab nations throughout her life, but it was her move to Paris that allowed Dalida to became wildly popular.

J.R.R. Tolkien

Ok, so, strictly speaking, Tolkien is that guy who wrote those films that actually turned out to be books. But Tolkien’s influence on one of rock’s biggest acts is pretty obvious. Moving to the UK three years after his birth in Bloemfontein, South Africa, in 1892, Tolkien grew up to write The Lord of the Rings, The Hobbit and The Silmarillion which have become fairly well known. Of all the people to be influenced by these books, Robert Plant, the voice of Led Zeppelin, threw in numerous references into his lyrics as demonstrated in ‘Ramble On’. Robert Plant: the original fanboy.

Amadou Bagayoko & Mariam Doumbia

Known colloquially as ‘The Blind Pair of Mali’, Amadou Bagayoko & Mariam Doumbia were both born in the West African nation of Mali. Having both lost their sight at young ages, Bagayoko at sixteen and Doumbia at five, the couple met at Mali’s Institute for the Young Blind and discovered a passion for music by playing together. While they’d had a successful career before, they signed their first record deal with Emarcy Records after moving to Paris in ‘96.

Souad Massi

After receiving death threats in 1999 because of her music’s political undertones, Massi left her native Algeria and moved to France aged 27. After a performance at Femmes d’Algérie, she was signed Island Records with whom she’s gone on to release five solo albums. Allmusic compared Massi to a north African Tracy Chapman when they reviewed her 2001 album Raoui. She was big in Algeria but she blew up in France.

Buy The Survival Issue in the Huck Shop now or subscribe today to make sure you don’t miss another issue.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Music

The utopic vision of Black liberation in ’60s & ’70s jazz

Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.

Written by: Miss Rosen

Huck 83: Life Is A Journey Issue

“I didn’t care if I got sacked”: Sleazenation’s Scott King in conversation with Radge’s Meg McWilliams

Radgenation — For our 20th Anniversary Issue, Huck’s editor Josh Jones sits down with the legendary art director and the founder of a new magazine from England’s northeast to talk about taking risks, crafting singular covers and disrupting the middle class dominance of the creative industries.

Written by: Josh Jones

Music

Analogue Appreciation: Wesley Joseph

Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.

Written by: Wesley Joseph

Music

The Strokes condemn US imperialism in Coachella set

Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.

Written by: Noah Petersons

Music

The heady bliss of Glastonbury Festival after the music

Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.

Written by: Isaac Muk

Huck 83: Life Is A Journey Issue

The cathartic roar of Vietnam’s hardcore punk scene

Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.

Written by: Frank L’Opez

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.