Harry Benson’s gripping portrait of 1960s America
- Text by Miss Rosen
- Photography by Harry Benson
In early 1964, Harry Benson received a call that would change his life: the photo editor of London’s Daily Express wanted to commission the Scottish photographer to cover The Beatles’s trip to Paris. From this auspicious encounter, a strong bond was formed, with Benson accompanying the Fab Four on their U.S. debut soon thereafter.
Benson arrived in America that February and never looked back, getting an extraordinary view of the nation at the height of Beatlemania. He documented their historic performance of The Ed Sullivan Show, which was seen by a record-breaking 73 million viewers.
John Lewis, Dr. Martin Luther King, Jr., & Ralph Abernathy singing “We Shall Overcome” on the James Meredith March Against Fear, Mississippi, June 1966
Benson’s longing to be at the centre of the action served him well as he continued his work in the United States, photographing some of the most pivotal events of the 1960s. The new exhibition, Harry Benson: Four Stories—co-curated by Addison Gallery of American Art Director Allison Kemmerer and curatorial fellow Tessa Hite—brings together works from the 92-year-old photographer’s archive that shaped the political, social, and cultural landscape.
The exhibition spotlights Benson’s time with The Beatles as well as his photographs of the 1961 construction of the Berlin Wall and Checkpoint Charlie; Martin Luther King Jr. and John Lewis at the 1966 James Meredith March Against Fear; and Robert F. Kennedy’s 1968 ill-fated presidential campaign and subsequent assassination.
Pillow Fight, Paris, 1964
“These photographs not only catapulted Benson’s career, but also indelibly capture defining moments of this tumultuous period in history,” says Alison Kemmerer, Director of the Addison Gallery of American Art. “We were impressed by Benson’s nimbleness in navigating the very different worlds of hard-hitting news and celebrity life. Whether documenting a Civil Rights protest or a costume ball, Benson’s sharp and empathetic eye reveals our shared humanity.”
Benson’s gift as a raconteur is highlighted throughout the exhibition, with his stories narrating the images and providing viewers with his firsthand accounts of his encounters with triumph and tragedy alike.
Bobby, Los Angeles, 1968
Bobby, Los Angeles, 1968
“One of our favorite stories is his account of the RFK assassination as it reveals his extraordinary ability to remain composed amid total chaos. No one would blame him if, after realising the presidential candidate had been shot, he succumbed to the ensuing mayhem and stopped making photographs,” Kemmerer says.
“However, recognising the significance of the moment, he somehow managed to keep his wits about him and continued to take pictures while telling himself, ‘This is for history. Bobby would understand. Don’t let me mess up’. That calm and clear-headed persistence resulted in some of the most moving and important photographs of our time.”
Robert F. Kennedy, St. Patrick’s Day Parade, New York City (Announcing his bid for Presidency), 1968
Meredith March, Nearing Canton, Mississippi, June 1966
Although the images capture the emotional extremes of the era, Kemmerer notes how closely the four stories are interrelated by virtue of fate and circumstance. “Benson’s portrait of John F. Kennedy was a perfect way to tie these stories together,” she says.
“JFK had been at the Berlin Wall and his memory loomed large in the aftermath of the assassination of his brother, and of Martin Luther King, Jr., who was present at the Meredith March. Even the Beatles’ inaugural tour was only eleven weeks after JFK’s assassination, and Beatlemania helped lift the spirits of a country in mourning. The photographs reflect an emotional rollercoaster that resonates today.”
Russian tanks lined up in the Eastern Sector, Berlin, Germany, August 13, 1961
Berlin, Germany, August 13, 1961
Blood on the Floor, Ambassador Hotel, Los Angeles, 1968
Ali Hits George, Miami, 1964
Harry Benson: Four Stories is on view through January 29, 2023, the Addison Gallery of American Art in Andover, MA.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter and Instagram.
You might like
The last days of St Agnes Place, London’s longest ever running squat
Off the grid — Photographer Janine Wiedel spent four years documenting the people of the Kennington squat, who for decades made a forgotten row of terraced houses a home.
Written by: Isaac Muk
How Japan revolutionised art & photography in the ’60s and ’70s
From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.
Written by: Miss Rosen
Artifaxing: “We’ve become so addicted to these supercomputers in our hands”
Framing the future — Predominantly publishing on Instagram and X, the account is one of social media’s most prominent archiving pages. We caught up with the mysterious figure behind it to chat about the internet’s past, present and future, finding inspiration and art in the age of AI.
Written by: Isaac Muk
The lacerating catharsis of body suspension in Hong Kong
Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.
Written by: Sophie Liu
What we’re excited for at SXSW 2026
Austin 40 — For the festival’s 40th anniversary edition, we are heading to Texas to join one of the biggest global meetups of the year. We’ve selected a few things to highlight on your schedules.
Written by: Huck
In photos: The boys of the Bibby Stockholm
Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative.
Written by: Thomas Ralph
