Huck’s top ten alternative stoner movies
- Text by Alex King
If you can still make out the television through the thick cloud of smoke that should be filling every self-respecting stoner’s living room on 4/20, we’ve served some cinematic top billing.
From stoner classics like Friday, to arthouse gems like La Haine and left-field picks like Werner Herzog’s Cave of Forgotten Dreams, we’ve got a full-spectrum of cerebral and not-so-cerebral excitement for those bloodshot eyes.
If you’ve got Domino’s on speed dial, it’s time to turn on, tune in and skin up, safe in the knowledge you have no need to leave the sofa till April 21st.
Happy 4/20. Enjoy.
La Haine
When Hubert sits down, flips on ‘That Loving Feeling’ by Isaac Hayes and pulls out a big block of hash, you know we’re in for a good session. This scene is pure stoner porn. As the years go by, and conflicts continue to erupt, La Haine’s burning social critique proves more and more prescient. Whether in Paris, London or elsewhere, whenever riots break out, Mathieu Kassovitz’s masterpiece is the go-to guide for understanding the simmering social and racial tensions that underlie urban unrest.
Inherent Vice (2015)
Steeped in stoned ‘70s vibes, Paul Thomas Anderson’s blissful three-hour epic chronicles the dying days of the hippy dream in Southern California. Carved from Thomas Pynchon’s thought-to-be-unfilmable novel and featuring a number of ominous mysteries, like the renovated pirate gallon named The Golden Fang which floats off the coast, be warned, this might give you a bit too much to think about at times…
Smiley Face (2007)
From Doom Generation director Greg Araki, Smiley Face takes struggling but perpetually stoned actress Jane (Anna Faris) through a tough day of errands, including buying more marijuana. After her roommate’s pot-laced cupcakes add to the already high volume of THC swirling around her system, it’s time for the Los Angeles misadventures to begin.
Cave of Forgotten Dreams (2011)
Werner Herzog uncovers a stunning world full of art and wonder hidden in an ancient cave beneath France. Drawn with an impressive level of sophistication and detail by early man around 32,000 years ago, the mind-blowing cave paintings will give you pause for thought. Mesmerising stuff.
Pineapple Express (2008)
Have you ever smoked anything so good it can be equated to “God’s vagina”? Thought not. The high-octane strain that gives Pineapple Express its name kicks off possibly the best stoner comedy of the new millennium. While witnessing a murder isn’t the best way to solidify the bonds of friendship with your weed dealer, it leads reluctant buddies Dale (Seth Rogen) and Saul (James Franco) on a wild journey featuring Rosie Perez, a Daewoo Lanos and, of course, some ninjas.
Reefer Madness (1936)
If you can manage to sit through just over an hour of clunky black and white 1930s moral panic propaganda, you’ll get some tragic lols from seeing how many of the moronic myths about weed are still alive in 2016.
Friday (1995)
“I know you don’t smoke weed, I know this, but I’m gonna get you high today, ’cause it’s Friday, you ain’t got no job, and you ain’t got shit to do,” explains Friday co-writer and co-star Ice Cube. Well, if that’s not reason to spark a fattie like it’s 1995, we don’t know what is.
Harold & Kumar Go To White Castle (2004)
Perhaps what keeps people coming back to Harold and Kumar’s harrowing search for the perfect burger is how we can all empathise with their plight. When the munchies take over, and nothing – just nothing – will fill the void like that special something, the barriers that stand in the way each amount to their own minor tragedies.
Up In Smoke (1978)
Decades before America took a more relaxed stance towards marijuana, Cheech and Chong were crisscrossing the nation as a counterculture comedy team laying the groundwork for stoner comedy as a genre in its own right. The seminal Up in Smoke is the old-school stoners’ master work and chronicles their half-baked efforts to smuggle a shipment of the high-grade into the states from Mexico.
Fear And Loathing In Las Vegas (1998)
Hunter S’s measly “two bags of grass” are dwarfed by his harder collection of “multi-colored uppers, downers, screamers, laughers” but that doesn’t mean Fear And Loathing In Las Vegas hasn’t got tons to interest the stoned moviegoer. The unforgettable one-liners, the epic hallucination scenes, all those swirling colours…
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop
A major Nan Goldin exhibition is coming to London
You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.
Written by: Jack Dennison-Thompson
Sepia splashed memories of Britain’s ’90s squatting and free party scene
Bygones — Moving into a Hackney squat at the age of 19, Tom Hunter spent years living on London’s edges, while documenting the vibrant, creative community and culture that it enabled. Huck’s art director Sam White chats to him about the freedom that existed, the collectivism and what’s been lost over the decades since.
Written by: Samuel White