In photos: the glorious heyday of the Empire Roller Disco
- Text by Isaac Muk
- Photography by Patrick D. Pagnano from the book ‘Empire Roller Disco’ published by Anthology Editions
In February 1980, photographer Patrick D. Pagnano received an intriguing commission from Forbes magazine – one of the USA’s premier publications. Travelling across New York City, he was to take pictures of the Empire Roller Disco in Brooklyn – a 36,000 square foot, quad-skating heaven, where on any given weekend hundreds of fun-seekers would go to skate, socialise and shake their hips to disco music blasted out of Empire’s state of the art sound system.
“I always sort of refer to it as the [legendary nightclub] Studio 54 of Brooklyn,” says Casey Whalen of Anthology Editions, the publishing house who are now presenting Pagnano’s photographs in a new photobook, Empire Roller Disco. “Because [it had] a similar clientele, same sort of scene and just as much energy.”
The Empire Roller Disco first opened its doors in 1941 as the Empire Rollerdrome, and quickly became a popular nightspot for New Yorkers, with its silken-smooth maple wood floor. But it was once the venue installed a giant, 20,000-watt sound system in 1980 when it really became the cultural institution that it’s remembered by today, with DJs spinning the best in disco, funk, soul and more late into the evenings.

© Patrick D. Pagnano from the book ‘Empire Roller Disco’ published by Anthology Editions

© Patrick D. Pagnano from the book ‘Empire Roller Disco’ published by Anthology Editions
As Pagnano walked into the cavernous roller rink for the first time, he was immediately captivated. “It was the first time I had been to Crown Heights, Brooklyn,” Pagnano wrote in an artist statement for a 2018 exhibition at New York’s Benrubi Gallery displaying pictures now in the book, shortly before he passed away that year. “Once I entered the rink I was transported to another world and I was in my element.”
Taking picture after picture, his index finger repeatedly triggering the shutter, Pagnano took a wealth of photographs, capturing skaters in full flow. “The joy, exuberance and talent of the skaters was so inspirational that it drove my own creative energy,” he continued. “The skaters were thrilled to be photographed and their energy infected me.”
The pictures – taken across a single night in the rink – are a dynamic and joyous snapshot of early 80s New York. Local Brooklyners would skate and mingle alongside graceful professionals, and it was also known to attract the occasional celebrity.
For many New Yorkers, particularly those from African American communities, it became an important place where they could express themselves, in a nightlife climate where there were increasingly few. “As the club scene in New York became a little more elitist, a little more fussy, in the late 70s,” explains Jesse Pollock, the editor of Empire Roller Disco. “People started feeling like there weren’t as may places to go and be themselves – and this was that kind of place.”

© Patrick D. Pagnano from the book ‘Empire Roller Disco’ published by Anthology Editions

© Patrick D. Pagnano from the book ‘Empire Roller Disco’ published by Anthology Editions
But for unknown reasons, the article never ran in the pages of Forbes, and Pagnano’s photographs wouldn’t be published. Instead, they sat in his archive for decades, untouched until they were dug out for the 2018 exhibition, with thousands more gems yet to be presented. “He was shooting street photography in New York City throughout the 70s and 80s – his archive is really intense and really deep” Pollock says, pleased that Pagnano’s work is finally gaining recognition. “One of the cool things about New York City is that there’s a ton of street photographers always shooting amazing projects, but that sometimes means their names hover under the surface, and I think that’s what happened with Patrick.”
The Empire would close its doors to skaters for the final time in 2007, as roller disco culture and roller skating fell out of fashion, compared to its heyday in the 1980s. “In retrospect, the assignment turned out to be very special – it became an essay that represented an era that cannot be recreated,” wrote Pagnano. “I feel privileged to have been witness to this part of the American experience.”
Empire Roller Disco by Patrick D. Pagnano will be published by Anthology Editions on April 4.
Follow Isaac on Twitter.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Queer resistance & sun-soaked solidarity at the world’s largest trans pride march
Our Future, Our Fight — Over the weekend, over 150,000 people marched at the London Trans+ Pride, with the parade ending at Trafalgar Square for the first time in history.
Written by: Ella Glossop
In photos: Black Texas life since emancipation
Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.
Written by: Miss Rosen
Youthful joy & end-of-era poignancy at a London school prom
Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.
Written by: Zoe Whitfield
Harry Gruyaert’s vintage, kaleidoscopic scenes of New York
A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.
Written by: Miss Rosen
In the pit at one of the UK’s last stock car & banger speedways
Stock Car Racing Isn’t Dead — Photographer Liam McCarthy spent time in and around the Arlington Raceway’s circuit, capturing the diehard community that keeps the sport alive.
Written by: Isaac Muk
Inside Lower Duck Pond, the nicest town on the internet
/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.
Written by: Vicky Jessop