Inside the only company that never stopped believing in cassette tapes
If you’ve played a part in the unlikely tape revival, chances are you’ve been listening to cassettes manufactured by the Missouri’s National Audio Company.
When everybody else was making a rush to CDs in the late ‘90s, NAC were the only company in America “too stubborn to quit” on the beloved audio format. Now they’re laughing, selling more than ever in their history as bands, record labels and listeners come flooding back to the much-loved analogue tapes.
As the cassette business plummeted, they bought up a rag-tag collection of machinery from manufacturers across the US who threw in the towel. The team are constantly battling to keep the ageing equipment going, and have adopted ingenious solutions to keep the obsolete technology pumping out tapes – like marrying a ‘30s cigarette wrapping machine with a microprocessor.
Now that everyone from Burger Records to Metallica have embraced the cassette once again, NAC have surfed the wave of popularity, helping to support a culture that would have struggled to be reborn without their unfailing belief in the cheap and clunky but awesome retro format.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
Inside the grunge golden age with Hole’s former bassist
My ’90s Rock Photographs — Melissa Auf der Maur’s new photobook is a sprawling visual memoir of her time at the heart of the US scene, from Tinker to The Smashing Pumpkins.
How the Home Counties took over UK rap
Landmark new exhibition is celebrating 50 years of female punk
God Save the Queens — The Museum of Youth Culture is bringing together rare photography, archive material and a one-night-only supergroup featuring members of X-Ray Spex, The Slits and The Raincoats.
Cristale: “Living in London taught me to be grateful”
What Made Me – In this series, we ask artists and rebels about the forces and experiences that shaped who they are. Today, it’s Brixton-born rapper Cristale.
Hak Baker: “Being a lad is dreaming of a decent life”
Hard Feelings — The East London storyweaver joins our column on masculinity and fatherhood to chat about being raised by his mother, his family of friends, and the momentary bliss of the sesh.
Space Afrika are flying the flag for the Black avant-garde
Quiet Storm — Mancunian duo Joshua Tarelle Reid and Joshua Inyang have been soundtracking their vision of industrial decay for the best part of a decade. Their latest album sees the pair join forces with global diasporic voices to create their most personal, expansive record yet.