Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

Inside Khora, Greece’s grassroots refugee community

A place to call our own — Skateboarding lessons and circus shows take centre stage at Khora, a horizontally-organised refugee community centre in Athens, which is celebrating its first birthday.

In a brightly-muralled room, on the fourth floor of an old printing workshop in Athens’ anarchic Exarcheia neighbourhood, a bearded clown is making quite a racket. “EVERYBODY: ooooh la la,” he bellows. A packed room of ecstatic children yells back in unison: “Ooh la la.” We’ve walked in on The Flying Seagull Project, a UK circus troupe, performing at Khora, a vibrant community cultural centre run by refugees and volunteers.

While Greece struggles to escape the EU’s worst economic crisis, for the last two summers it has also been the epicentre of the European refugee crisis, with sometimes over a thousand people per week arriving on the islands of Samos, Kos and Lesbos, mainly on flimsy dinghies from Turkey. Hundreds have perished on the journey.

A circus performance by the Flying Seagull Project at Khora, refugee centre in Athens.

A circus performance by the Flying Seagull Project at Khora, refugee centre in Athens.

An American volunteer nurse put it best: “Come to Athens and you put a face to the war.” Walking around Khora (and on the streets of Athens) you’ll brush shoulders with Syrians, Afghans, Iraqis, Kurds, Sudanese and others from across the globe who’ve fled war and upheaval in their home countries. Most don’t want to be here. Greece was just the entry point, but now tens of thousands are stuck in limbo, after the rest of Europe pulled up the drawbridge.

Most provision for refugees is pretty depressing, and a majority have deliberately been housed in camps outside the cities or stranded on remote islands. Refugees sit on one side, while volunteers and aid workers often awkwardly keep their distance. There’s a feeling of hopelessness that hangs over everything. Not so at Khora.

A notice board at Khora, refugee centre in Athens.

A notice board at Khora, refugee centre in Athens.

“Here we’re the same,” explains Somaya, a Syrian-Palestinian translator. “You can’t tell the refugees from the volunteers because we work and communicate together. We go for picnics, swim at the beach and have dinner together. We’re more than refugees and volunteers, we’re friends and family now.”

Khora is a non-hierarchical collective founded by refugees and volunteers who met on Lesvos, who believe in freedom of movement for all and making a radical challenge to the system of borders. It feels like an enormous grandma’s living room spread over eight floors, with kids running about everywhere and watched over collectively by a revolving cast of adults. Khora provides everything from language lessons to legal advice, childcare, dental services, free clothing and an open workshop to cooked meals for up to a thousand people per day.

Kid’s drawings on the lift door at Khora, refugee centre in Athens.

Kid’s drawings on the lift door at Khora, refugee centre in Athens.

The music room at Khora, Athens.

The music room at Khora, Athens.

In 2015, Somaya fled the Yarmouk Camp, established for Palestinian refugees in 1957 on the edge of Damascus, where ISIS have since carried out brutal killings. After passing through the squalid chaos of a government-run camp on Chios island, she arrived in Athens a year ago, discovered Khora and began work as an Arabic/English translator here.

“Sometimes on the metro people look at me like an alien,” Somaya says, her smile lighting up the room – yet her situation is far from carefree. “I often feel sad, it’s hard being a single mum separated from your family. We’ve all been through a lot, but I feel special here. I can work, help people and I have a say – that’s important.”

Somaya at work as an Arabic/English interpreter.

Somaya at work as an Arabic/English interpreter.

Posters on a door at Khora, refugee centre in Athens.

Posters on a door at Khora, refugee centre in Athens.

Despite what she’s been through, Somaya is one of the lucky ones – relatively, at least. Greece’s refugee crisis may have slipped out of the news since arrivals fell sharply after a much criticised EU-Turkey deal in March 2016. But arrivals to overstretched reception centres have risen again to more than 200 each day – proof of Europe’s inability to find a just and lasting solution.

In previous years, refugees who arrived on the islands were allowed onto the mainland after registration, and sometimes onwards towards Western Europe, until borders were closed in early 2016. Now, most arrivals are held on the islands and, despite promises from other European nations, refugee reunifications have slowed dramatically, causing a huge bottleneck. Terrible camp conditions have deteriorated further, leading to riots and violent outbursts. It’s a great welcome to Europe, especially for the 40% of new arrivals who are children. Waiting lists for unaccompanied minors to be housed in shelters in Greece have passed 1,500.

A circus performance by the Flying Seagull Project at Khora, refugee centre in Athens.

A circus performance by the Flying Seagull Project at Khora, refugee centre in Athens.

A wall at Khora, refugee centre in Athens.

A wall at Khora, refugee centre in Athens.

Khora take a more radical position than most refugee NGOs, and they’re prepared to call out the failings of governments and aid agencies when they see them. They argue that the response to the crisis, led by the EU, has been an appalling affront to human rights, so they take no grants from government bodies or international NGOs like UNICEF – also to resist being swayed by big donor priorities. Instead, they’re funded primarily by grassroots organisation Help Refugees, which allows them a greater degree of flexibility and autonomy. “If you want to make something happen, all it takes is bringing it up at the community meeting on Tuesdays,” explains Will Ascott, as he gets Free Movement Skateboarding’s weekly class for Khora kids underway, in a nearby park on a hill overlooking Exarcheia.

As Khora prepares for its first anniversary celebrations, the team has a lot to be proud of: it has provided everything from food to legal advice, circus shows and skateboarding lessons for the thousands who have passed through its doors in the past 12 months, but most importantly, somewhere to belong and be respected as part of the community.

Refugee children taking skateboard classes at the Free Movement Skateboarding run by Will Ascott and Ruby Mateja in Exarhia, Athens.

Refugee children taking skateboard classes at the Free Movement Skateboarding run by Will Ascott and Ruby Mateja in Exarhia, Athens.

170706_295

It also marks two years since EU member states pledged to relocate 160,000 asylum seekers – including 106,000 from Greece and Italy – in September 2015. Khora’s birthday party forms part of mass demonstrations across European capitals this week to condemn the 28-nation bloc for relocating a mere 29,000 to date.

Khora will join refugee groups from across Greece for a peaceful march through Athens on Saturday September 30, from Omonia Square to Pedion tou Areos Park, for an afternoon of talks, workshops, food, interactive art, and then an evening of global music, DJs and dancing. You can follow events throughout the day with the hashtag #SickOfWaiting.

But while it seems like governments have done everything they can to disorient, disempower and discourage refugees from taking control of their destinies, these guys aren’t sitting around waiting. Khora have shown that when refugee communities organise and take matters in to their own hands, there’s no limit to what they can achieve.

Find out more about Khora Community and join their first birthday celebrations in Athens on Saturday September 30.

Enjoyed this article? Like Huck on Facebook or follow us on Twitter.


You might like

Outsiders Project

As salmon farming booms, Icelanders size up an existential threat

Seyðisfjörður — The industry has seen huge growth in recent years, with millions of fish being farmed in the Atlantic Ocean. But who benefits from its commercial success, and what does it mean for the ocean? Phil Young ventures to the remote country to find out.

Written by: Phil Young

© Mitsutoshi Hanaga. Courtesy of Mitsutoshi Hanaga Project Committee
Culture

How Japan revolutionised art & photography in the ’60s and ’70s

From Angura to Provoke — A new photobook chronicles the radical avant-garde scene of the postwar period, whose subversion of the medium of image making remains shocking and groundbreaking to this day.

Written by: Miss Rosen

Huck 83: Life Is A Journey Issue

Leticia Bufoni is one of the greatest skaters ever. Now she’s tearing up asphalt.

Vamos, Leticia! — The Brazilian trailblazer helped rewrite the rulebook for women in skateboarding – and now she’s setting the pace behind the wheel for Porsche. For Huck’s 20th Anniversary Issue, she reflects on shredding stereotypes, building a career in male-dominated spaces, empowering the next generation, and the lessons that defined her journey.

Written by: Tracy Kawalik

Culture

The lacerating catharsis of body suspension in Hong Kong

Self-Ferrying — In one of the world’s most densely packed cities, an underground group of young people are piercing their skin and hanging their bodies with hooks in a shocking exploration of pain and pleasure. Sophie Liu goes to a session to understand why they partake in the extreme underground practice.

Written by: Sophie Liu

Activism

Activists hack London billboards to call out big tech harm

Tax Big Tech: With UK youth mental health services under strain, guerrilla billboards across the capital accuse social media companies of profiting from a growing crisis.

Written by: Ella Glossop

Activism

In photos: The boys of the Bibby Stockholm

Bibby Boys — A new exhibition by Theo McInnes and Thomas Ralph documents the men who lived on the three-story barge in Dorset, giving them the chance to control their own narrative. 

Written by: Thomas Ralph

Huck is supported by our readers, subscribers and Club Huck members.

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.