The aftermath of Guatemala's 1976 earthquake – in photos | Huck

Sign up to our newsletter and become a Club Huck member.

Stay informed with the cutting edge of sport, music and counterculture

The aftermath of Guatemala's 1976 earthquake – in photos

James Hayman was travelling to the country when a 7.5 magnitude quake hit, killing over 22,000 people. Joining the relief effort as a volunteer, his images capture the scale of destruction and the process of rebuilding.

In early 1974, James Hayman was travelling through Central America with a friend. He’d completed a degree in photojournalism at a university in Washington D.C. a few years before – but, after pulling shifts at a local newspaper, decided that capturing the stories of the day wasn’t for him, and that he wanted to see the world outside of his home country.

We were hoping to get all the way down to South America and we were waylaid in Mexico for a while,” Hayman says. Then, just as we were travelling to Guatemala, the earthquake hit.”

On February 4, 1976, around 3AM local time, a disastrous 7.5 magnitude earthquake hit the country. With its centre located about 100 miles northeast of Guatemala City, its effects led to an estimated death toll of more than 22,000 people, left 76,000 injured and over a million homeless as houses, entire villages and almost half (40%) of the country’s hospitals were reduced to rubble.

Hearing about the tragedy, Hayman decided that he and his friend would continue onwards with their journey, passing through the country swiftly and leaving as light a footprint as possible. Hitching a ride with some students, the pair were driven across the border, past miles of destruction, and dropped off in Guatemala City where they spent a night at a hospital. It was there they received a proposal that would upend their plans.

Some students from the American University came by and said: Are you interested in doing any volunteer work for the UN?’” Hayman recalls. So I said yeah, absolutely’ and I spent the next four months working for the UN and also photographing.”

Top to bottom: A barbershop post-earthquake. Mountains outside Chichicastenango, Guatemala, 1976.

Nearly half a century later, a number of his black-and-white photographs, taken from his time helping with the country’s rebuilding and response effort are now presented in his series Guatemala, 1976. Travelling around the country’s wild terrain, Hayman would help provide communities with food, clothing and building materials. We were going out to the middle of the jungle or up in the mountains and ask people what they needed because of the earthquake,” he says, with a gentle smile. They would laugh at us and say: We need everything we needed before the earthquake – we have nothing.’”

The pictures hint at the severe scale of the damage, from a cross atop a church knocked from its position to a makeshift barber shop erected among wrecked buildings. The majority of buildings in Guatemala were made out of brick and mortar,” Hayman explains of how apparent the devastation was. There was no such thing as being tested for earthquakes, so they just crumpled.”

The majority of people had [then] built houses made out of wood and thatched roots,” he adds. For one because that was all they had but also there were always aftershocks and if the roof collapsed it was [less likely] to kill you in the way a concrete roof would.”

Top to bottom: San Francisco El Alto, Guatemala. Guatemalan Military, 1976. Panajachel, Lake Atitlan, Guatemala.

While the situation was bleak, the shots also demonstrate a level of coming together and community as people rebuilt their villages, towns and lives. With candid close-up portraits of families and shots taken among tightly huddled crowds – a humanity and spirit of resilience shines through. For Hayman, seeing and being part of that process during the four months he spent in Guatemala would be deeply formative for him, both personally and professionally as a photographer.

I was overwhelmed by the destruction – people that were forced to live in a tarp tent or under a thatched roof next to their destroyed home,” he says. People not having electricity, or potable water, and then that led to [me thinking] I need to do whatever I can to help people. 

It became a political thing for me, I became politically aware of the inequities in the world,” he continues. It sent me on a path that I continued on today.”

Guatemala, 1976 and other photography by James Hayman can be seen on his website and Instagram.

Follow Isaac on Twitter.

Enjoyed this article? Follow Huck on Twitter and Instagram.

You might like

© 2026 A. B. Bell
Culture

In photos: Black Texas life since emancipation

Kinship & Community — A new photobook and exhibition showcases the rich culture, history and community of African American folks in the Lone Star State, whose existence in the region predates colonial Britain.

Written by: Miss Rosen

Culture

Youthful joy & end-of-era poignancy at a London school prom

Leavers — For several years, Lewis Khan documented young people as they celebrated the last of their school days and the completion of their exams. The series is now collated in a new self-published photobook and short film.

Written by: Zoe Whitfield

Culture

Harry Gruyaert’s vintage, kaleidoscopic scenes of New York

A Sense of Place — For 50 years, the Belgian photographer and Magnum Photos member has been capturing NYC’s colourful chaos. A new photobook and exhibition showcase his unique, technicolour view of the city.

Written by: Miss Rosen

Sport

In the pit at one of the UK’s last stock car & banger speedways

Stock Car Racing Isn’t Dead — Photographer Liam McCarthy spent time in and around the Arlington Raceway’s circuit, capturing the diehard community that keeps the sport alive.

Written by: Isaac Muk

Culture

Inside Lower Duck Pond, the nicest town on the internet

/r/HaveWeMet — With a population of 2,500 and no fixed location, the subreddit is a space for roleplaying citizens to solve mysteries, host fictional events and ultimately connect. In an internet that’s often divided and toxic, Vicky Jessop hangs out in one of its most wholesome corners.

Written by: Vicky Jessop

Culture

A major Nan Goldin exhibition is coming to London

You Never Did Anything Wrong — Opening at the Hayward Gallery in November, the show will debut a new film from the artist and activist, alongside a slate of recent work.

Written by: Jack Dennison-Thompson

You've read articles this month Thanks for reading

Join Club Huck — it's free!

Valued Huck reader, thank you for engaging with our journalism and taking an interest in our dispatches from the sharp edge of culture, sport, music and rebellion.

We want to offer you the chance to join Club Huck [it's free!] where you will receive exclusive newsletters, including personal takes on the state of pop culture and media from columnist Emma Garland, culture recommendations, interviews and dispatches straight to your inbox.

You'll also get priority access to Huck events, merch discounts, and more fun surprises.

Already part of the club? Enter your email above and we'll get you logged in.