5 things we learnt from Kanye West at Oxford
- Text by Scott Bolohan
Kanye West gave a surprise lecture at the Oxford Natural History Museum today March 2, put on by the Oxford Guild (Oxford University’s Careers Society). Tickets were scarce (about 350) and demand was high (about 5,000) despite the lecture only being announced 15 hours earlier. But that’s what happens when the most talked-about man in pop culture decides to speak basically anywhere. He can hardly say anything without making a headline.
While Kanye’s lecture covered a wide-range of topics (Drake, Picasso, toys), his lecture was mostly inspiring and about making the world a better place. Here’s what we learned from his lecture.
A poorly placed table ruins everything
The first thing Kanye did upon taking the stage was to get the long black table removed from the centre. It wasn’t working with the “aesthetic.” Kanye spent the rest of the lecture roaming the stage without a mic. He seemed in genuinely good spirits and went on a stream-of-consciousness lecture inspired by a question from the audience, mostly focusing on aesthetic but frequently shifting topics whenever he felt necessary.
Nicki kicked his ass on his own song
When Kanye was talking about the importance of collaborating, he frequently brought up My Beautiful Dark Twisted Fantasy and how the breakout star was Nicki Minaj for her verse on ‘Monster.’ He said if he had let his ego get in the way, it never would have happened. “If I, Kanye West, can remove my own ego, there is hope for everyone,” he said.
Kanye really cares about children’s toys
He brought his daughter up in the talk a lot, especially in reference to how we are all one family. “People ask me how my daughter is doing,” he said. “She’s only doing good if your daughter’s doing good. We’re all one family.” He started talking about her toys and says he only likes her to play with “quality toys that have love put in them”.
Kanye really, really likes The Matrix
Perhaps the most interesting part of the speech was Kanye recounting a conversation he had with designer Steve McQueen how The Matrix was like The Bible. He talked about the scene where Neo is being attacked from hundreds of agents and used them as a metaphors for being attacked by opinions. But, to continue the metaphor, he said having a Morpheus (here’s the God part) in your life can give you focus and you can see things in slow motion.
It’s okay to wear $2,000 shirts, just don’t buy them
While discussing his middle class upbringing in the context of his wealth and status now, Kanye was critical of fashion for making such expensive clothing when, he believes, we should have the best minds working toward make better things for the non-wealthy. Kanye said shirts should never cost $5,000. Cars should cost $5,000. And then in a moment of self-awareness, he pointed out that his shirt cost $2,000. But it was okay because it was given to him by the designer. Maybe Kanye should give some of his new Adidas shoes out too (priced at $350).
You might like
Celebrating the art of making out on tour with Tove Lo
The Kiss Book — In the wake of the pandemic, photographer Kenny Laubbacher travelled around several countries with the Swedish pop star, capturing the joy and desire of kissing fans.
Written by: Zoe Whitfield
The dreamy, surfy sounds of Cactus for Breakfast
Vitamin B — The Berlin-based band blends eclectic lyrics and influences spanning The Ventures, King Gizzard & the Lizard Wizard and Fela Kuti into a swirl of garage psych. We caught up with them as they brought their jubilant live show to Huck’s showcase on the final night of SXSW London.
Written by: Roxana Diba
Huck's SXSW gig was a sweat-soaked rager
Huck it's so hot: At Village Underground for SXSW London’s final night, Huck co-curated a bill featuring Honey I’m Home, Cactus For Breakfast, Master Peace and shame – here's what went down.
Written by: Ella Glossop
Analogue Appreciation: Balming Tiger
Gongbu — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, it’s K-pop experimentalists Balming Tiger.
Written by: Balming Tiger
Horst Festival is a blueprint for a creative, collective future
Hymn — Highlighted by an engrossing performance directed by Fallon Mayanja, the 2026 edition was a showcase of ASIAT Park’s ever-evolving space as an incubator for art, music and creativity.
Written by: Isaac Muk
Radiohead’s Ed O’Brien: “Technology’s evolution on the human psyche is a massive problem”
Blue Morpho — With the release of his second solo album, the songwriter and guitarist explores analogue rawness, spirituality and pulling himself out of a dark place. D’Arcy Doran caught up with him at SXSW to find out more.
Written by: D’Arcy Doran