5 things we learnt from Kanye West at Oxford
- Text by Scott Bolohan
Kanye West gave a surprise lecture at the Oxford Natural History Museum today March 2, put on by the Oxford Guild (Oxford University’s Careers Society). Tickets were scarce (about 350) and demand was high (about 5,000) despite the lecture only being announced 15 hours earlier. But that’s what happens when the most talked-about man in pop culture decides to speak basically anywhere. He can hardly say anything without making a headline.
While Kanye’s lecture covered a wide-range of topics (Drake, Picasso, toys), his lecture was mostly inspiring and about making the world a better place. Here’s what we learned from his lecture.
A poorly placed table ruins everything
The first thing Kanye did upon taking the stage was to get the long black table removed from the centre. It wasn’t working with the “aesthetic.” Kanye spent the rest of the lecture roaming the stage without a mic. He seemed in genuinely good spirits and went on a stream-of-consciousness lecture inspired by a question from the audience, mostly focusing on aesthetic but frequently shifting topics whenever he felt necessary.
Nicki kicked his ass on his own song
When Kanye was talking about the importance of collaborating, he frequently brought up My Beautiful Dark Twisted Fantasy and how the breakout star was Nicki Minaj for her verse on ‘Monster.’ He said if he had let his ego get in the way, it never would have happened. “If I, Kanye West, can remove my own ego, there is hope for everyone,” he said.
Kanye really cares about children’s toys
He brought his daughter up in the talk a lot, especially in reference to how we are all one family. “People ask me how my daughter is doing,” he said. “She’s only doing good if your daughter’s doing good. We’re all one family.” He started talking about her toys and says he only likes her to play with “quality toys that have love put in them”.
Kanye really, really likes The Matrix
Perhaps the most interesting part of the speech was Kanye recounting a conversation he had with designer Steve McQueen how The Matrix was like The Bible. He talked about the scene where Neo is being attacked from hundreds of agents and used them as a metaphors for being attacked by opinions. But, to continue the metaphor, he said having a Morpheus (here’s the God part) in your life can give you focus and you can see things in slow motion.
It’s okay to wear $2,000 shirts, just don’t buy them
While discussing his middle class upbringing in the context of his wealth and status now, Kanye was critical of fashion for making such expensive clothing when, he believes, we should have the best minds working toward make better things for the non-wealthy. Kanye said shirts should never cost $5,000. Cars should cost $5,000. And then in a moment of self-awareness, he pointed out that his shirt cost $2,000. But it was okay because it was given to him by the designer. Maybe Kanye should give some of his new Adidas shoes out too (priced at $350).
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
The rise of anywhere and everywhere radio
Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.
Written by: Bella Koopman