A lesson in living in the here and now
- Text by Paden Vaughan
At eight-years-old Rueben Hollebon thought he’d try his hand at singing, before being rejected from his local choir and told that he in fact couldn’t sing. Following years of dull jobs and playing football almost everyday in his native Norfolk, the singer/songwriter picked up a guitar at 18, soon finding himself studying music and audio systems at Huddersfield University. But after focusing on other people’s music for so long, he decided that it was time to shift from practicing alone at home to writing and releasing his own.
With his debut album Terminal Nostalgia released in May last year, Rueben is continuing to establish himself as an artist. His journey has been subtle, albeit difficult at times, and is the subject of a new short film from Other Brother Studios.
The four-minute film sees Reuben disclose his experiences growing up on a housing estate in Norfolk, and his transformation from someone who never felt the need to be creative, to a professional musician. Reuben grew up with his father’s extensive record collection as the soundtrack to his life in a small town that could offer little stimulation during his teenage years.
In some ways Terminal Nostalgia looks back on with a subtly that is matched by Reuben’s introverted demeanour, and this has been vital in his composition:
“Intent in music is strong enough, if it’s strong enough, [that] you don’t have to give away all the other clues,” he says. “You don’t have to communicate absolutely everything to feel something that’s coming from there.”
Despite this, Reuben avoids too much nostalgia, which became an integral part of his debut. The album’s title alone hints to a deeper message of living in the now, something that Reuben imparts through his subtle yet impactful songwriting.
“It came from a warning to not get stuck in enjoying how much you’re remembering experiences but actually just enjoying experiences,” he says. “As long as something was interesting, I wanted to know it.”
Reuben is on tour from 17 -22 January 2017.
Enjoyed this article? Like Huck on Facebook or follow us on Twitter.
You might like
The utopic vision of Black liberation in ’60s & ’70s jazz
Freedom, Rhythm & Sound — As Pan-African optimism spread across the world in the postcolonial era, Black-led record labels gave artists space to express themselves away from the mainstream. A new book collates 500 groundbreaking albums and their covers.
Written by: Miss Rosen
Analogue Appreciation: Wesley Joseph
Forever Ends Someday — In an ever more digital, online world, we ask our favourite artists about their most cherished pieces of physical culture. Today, visual and sonic shapeshifter Wesley Joseph.
Written by: Wesley Joseph
The Strokes condemn US imperialism in Coachella set
Oblivius — The band finished their performance at the festival’s second weekend with a montage of bombings in Gaza and Iran, along with images of world leaders that the CIA has been accused of overthrowing over the past century.
Written by: Noah Petersons
The heady bliss of Glastonbury Festival after the music
Not Done Yet — While the weekend’s headliners and stacked line-ups usually draws the majority of the attention, much of its magic occurs after the music stops. Mischa Haller’s new photobook captures the euphoria and endless possibilities of Glasto’s “in between” moments.
Written by: Isaac Muk
The cathartic roar of Vietnam’s hardcore punk scene
Going hardcore in Saigon — In a country that has gradually opened up in recent decades, a burgeoning youth movement is creating an outlet for youth frustration and anxiety. Frank L’Opez reports from the country’s biggest city’s underground.
Written by: Frank L’Opez
The rise of anywhere and everywhere radio
Cooking up broadcasts — From a London rickshaw to a shipping container in Ukraine, independent stations are redefining what a studio looks and feels like. Bella Koopman speaks to DIY station founders to find out more.
Written by: Bella Koopman